woman

CALL on the present day and night for nought,
Save what by yesterday was brought.
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THE sea is flowing ever,
The land retains it never.
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BE stirring, man, while yet the day is clear;
The night when none can work fast Draweth near.
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WHEN the heavy-laden sigh,
Deeming help and hope gone by,
Oft, with healing power is heard,
Comfort-fraught, a kindly word.
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How vast is mine inheritance, how glorious and sublime!
For time mine own possession is, the land I till is time!
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For woman due allowance make!

Form'd of a crooked rib was she,--

By Heaven she could not straightened be.
Attempt to bend her, and she'll break;
If left alone, more crooked grows madam;
What well could be worse, my good friend, Adam?--
For woman due allowance make;
'Twere grievous, if thy rib should break!

In these affairs
We crave that thou wilt passionately flee
The one offence, and anxiously wilt shun
The error of presuming the clear lights
Of eyes created were that we might see;
Or thighs and knees, aprop upon the feet,
Thuswise can bended be, that we might step
With goodly strides ahead; or forearms joined
Unto the sturdy uppers, or serving hands
On either side were given, that we might do
Life's own demands. All such interpretation
Is aft-for-fore with inverse reasoning,

Mother of Rome, delight of Gods and men,
Dear Venus that beneath the gliding stars
Makest to teem the many-voyaged main
And fruitful lands- for all of living things
Through thee alone are evermore conceived,
Through thee are risen to visit the great sun-
Before thee, Goddess, and thy coming on,
Flee stormy wind and massy cloud away,
For thee the daedal Earth bears scented flowers,
For thee waters of the unvexed deep
Smile, and the hollows of the serene sky
Glow with diffused radiance for thee!

Give me this time, my first and severe
Italian, a poem about gold,
The left corners of eyes, and the heavy
Night of the locomotives that brought me here,
And the heavy wine in the old green body,
The glass that so many have drunk from.
I have brought my bottle back home every day
To the cool cave, and come forth
Golden on the left corner
of a cathedral's wing:

White wine of Bologna,
And the knowing golden shadows
At the left corners of Mary Magdalene's eyes,
While St. Cecilia stands

Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.

The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.

His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy. He saw gleaners pass, and said,

This door you might not open, and you did;
So enter now, and see for what slight thing
You are betrayed... Here is no treasure hid,
No cauldron, no clear crystal mirroring
The sought-for truth, no heads of women slain
For greed like yours, no writhings of distress,
But only what you see... Look yet again—
An empty room, cobwebbed and comfortless.
Yet this alone out of my life I kept
Unto myself, lest any know me quite;
And you did so profane me when you crept

Twirling your blue skirts, travelling the sward
Under the towers of your seminary,
Go listen to your teachers old and contrary
Without believing a word.

Tie the white fillets then about your hair
And think no more of what will come to pass
Than bluebirds that go walking on the grass
And chattering on the air.

Practice your beauty, blue girls, before it fail;
And I will cry with my loud lips and publish
Beauty which all our power shall never establish,
It is so frail.

It's okay if the world goes with Venetian;
Who cares what Italians don't see?--
Or with Man's Bluff (a temporary problem
Healed by shrieks and cheating)--or with date:
Three hours of squirming repaid by laughs for years.

But when an old woman, already deaf,
Wakes from a night of headaches, and the dark
Won't disappear--when doctors call like tedious
Birds, "If only..." up and down hospital halls--
When, long-distance, I hear her say, "Don't worry.

Honey, I'll be fine," is it a wonder

Still sober, César Vallejo comes home and finds a black ribbon
around the apartment building covering the front door.
He puts down his cane, removes his greasy fedora, and begins
to untangle the mess. His neighbors line up behind him
wondering what's going on. A middle-aged woman carrying
a loaf of fresh bread asks him to step aside so she
can enter, ascend the two steep flights to her apartment,
and begin the daily task of preparing lunch for her Monsieur.
Vallejo pretends he hears nothing or perhaps he truly