Is she not lovely! Oh! when, long ago,
My own dead mother gazed upon my face,
As I stood blushing near in bridal snow,
I had not half her beauty and her grace.

Yet that fond mother praised, the world caressed,
And ONE adored me -- how shall HE who soon
Shall wear my gentle flower upon his breast,
Prize to its utmost worth the priceless boon?

Shall he not gird her, guard her, make her rich,
(Not as the world is rich, in outward show,)
With all the love and watchful kindness which
A wise and tender manhood may bestow?

"What should such fellows as I do,
Crawling between earth and heaven?"


Here is the phial; here I turn the key
Sharp in the lock. Click!--there's no doubt it turned.
This is the third time; there is luck in threes--
Queen Luck, that rules the world, befriend me now
And freely I'll forgive you many wrongs!
Just as the draught began to work, first time,
Tom Leigh, my friend (as friends go in the world),
Burst in, and drew the phial from my hand,
(Ah, Tom! ah, Tom! that was a sorry turn!)
And lectured me a lecture, all compact

I

Love me Sweet, with all thou art,
Feeling, thinking, seeing;
Love me in the lightest part,
Love me in full being.

II

Love me with thine open youth
In its frank surrender;
With the vowing of thy mouth,
With its silence tender.

III

Love me with thine azure eyes,
Made for earnest grantings;
Taking colour from the skies,
Can Heaven's truth be wanting?

IV

Love me with their lids, that fall
Snow-like at first meeting;
Love me with thine heart, that all

We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.

The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;

The first of all the tribe lay there
And did such pleasure take -
She who had brought great Hector down
And put all Troy to wreck -
That she cried into this ear,

I have old women's secrets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.

Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:

How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw

We two were lovers, the Sea and I;
We plighted our troth ‘neath a summer sky.

And all through the riotous ardent weather
We dreamed, and loved, and rejoiced together.
* * *
At times my lover would rage and storm.
I said: ‘No matter, his heart is warm.’

Whatever his humour, I loved his ways,
And so we lived though the golden days.

I know not the manner it came about,
But in the autumn we two fell out.

Yet this I know – ‘twas the fault of the Sea,
And was not my fault, that he changed to me.
* * *

I.

Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,

II.

Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.

III.

Dearest, three months ago!

SING lullaby, as women do,
   Wherewith they bring their babes to rest;
And lullaby can I sing too,
   As womanly as can the best.
With lullaby they still the child;
And if I be not much beguiled,
Full many a wanton babe have I,
Which must be still'd with lullaby.

First lullaby my youthful years,
   It is now time to go to bed:
For crooked age and hoary hairs
   Have won the haven within my head.
With lullaby, then, youth be still;

In the light of the silent stars that shine on the struggling sea,
In the weary cry of the wind and the whisper of flower and tree,
Under the breath of laughter, deep in the tide of tears,
I hear the Loom of the Weaver that weaves the Web of Years.

The leaves of the winter wither and sink in the forest mould
To colour the flowers of April with purple and white and gold:
Light and scent and music die and are born again
In the heart of a grey-haired woman who wakes in a world of pain.

A Letter To My Aunt Discussing The Correct Approach To Modern Poetry


To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.