woman

You cannot rob us of the rights we cherish,
Nor turn our thoughts away
From the bright picture of a "Woman's Mission"
Our hearts portray.

We claim to dwell, in quiet and seclusion,
Beneath the household roof,--
From the great world's harsh strife, and jarring voices,
To stand aloof;--

Not in a dreamy and inane abstraction
To sleep our life away,
But, gathering up the brightness of home sunshine,
To deck our way.

As humble plants by country hedgerows growing,
That treasure up the rain,

Women have no wilderness in them,
They are provident instead,
Content in the tight hot cell of their hearts
To eat dusty bread.

They do not see cattle cropping red winter grass,
They do not hear
Snow water going down under culverts
Shallow and clear.

They wait, when they should turn to journeys,
They stiffen, when they should bend.
They use against themselves that benevolence
To which no man is friend.

They cannot think of so many crops to a field

AN inventory clear of all she needs Lamira offers here; Nor does she fear a rigid Cato's frown When she lays by the rich embroidered gown, And modestly compounds for just enough- Perhaps, some dozens of more flighty stuff; With lawns and lustrings, blond, and Mechlin laces, Fringes and jewels, fans and tweezer-cases; memory Gay cloaks, and hats of every shape and size, Scarfs, cardinals, and ribbons of all dyes; With ruffles stamped, and aprons of tambour, Tippets and handkerchiefs, at least three score; With finest muslins that fair India boasts, And the choice herbage from Chinesan coasts

Now thou hast loved me one whole day,
Tomorrow when thou leav'st, what wilt thou say?
Wilt thou then antedate some new-made vow?
    Or say that now
We are not just those persons which we were?
Or, that oaths made in reverential fear
Of love, and his wrath, any may forswear?
Or, as true deaths, true marriages untie,
So lovers' contracts, images of those,
Bind but till sleep, death's image, them unloose?
    Or your own end to justify,
For having purposed change, and falsehood, you

I've got the children to tend
The clothes to mend
The floor to mop
The food to shop
Then the chicken to fry
The baby to dry
I got company to feed
The garden to weed
I've got shirts to press
The tots to dress
The can to be cut
I gotta clean up this hut
Then see about the sick
And the cotton to pick.

Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.

Storm, blow me from here
With your fiercest wind

That is my window. Just now
I have so softly wakened.
I thought that I would float.
How far does my life reach,
and where does the night begin

I could think that everything
was still me all around;
transparent like a crystal's
depths, darkened, mute.

I could keep even the stars
within me; so immense
my heart seems to me; so willingly
it let him go again.

whom I began perhaps to love, perhaps to hold.
Like something strange, undreamt-of,
my fate now gazes at me.

If Ezra Pound were alive today
(and he is)
he'd be teaching
at a small college in the Pacific Northwest
and attending the annual convention
of writing instructors in St. Louis
and railing against tenure,
saying tenure
is a ladder whose rungs slip out
from under the scholar as he climbs
upwards to empty heaven
by the angels abandoned
for tenure killeth the spirit
(with tenure no man becomes master)
Texts are unwritten with tenure,
under the microscope, sous rature

Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers.

Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.

For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.

And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.

And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.

On a lonely selection far out in the West
An old woman works all the day without rest,
And she croons, as she toils 'neath the sky's glassy dome,
`Sure I'll keep the ould place till the childer come home.'

She mends all the fences, she grubs, and she ploughs,
She drives the old horse and she milks all the cows,
And she sings to herself as she thatches the stack,
`Sure I'll keep the ould place till the childer come back.'

It is five weary years since her old husband died;