woman

Two dumpy women with buns were drinking coffee
In a narrow kitchen—at least I think a kitchen
And I think it was whitewashed, in spite of all the shade.
They were flat brown, they were as brown as coffee.
Wearing brown muslin? I really could not tell.
How I loved this painting, they had grown so old
That everything had got less complicated,
Brown clothes and shade in a sunken whitewashed kitchen.

But it’s not like that for me: age is not simpler
Or less enjoyable, not dark, not whitewashed.

For the gladness here where the sun is shining at evening on the weeds at the river,
Our prayer of thanks.

For the laughter of children who tumble barefooted and bareheaded in the summer grass,
Our prayer of thanks.

For the sunset and the stars, the women and the white arms that hold us,
Our prayer of thanks.

God,
If you are deaf and blind, if this is all lost to you,

Are they blue, gray or green? Mysterious eyes
(as if in fact you were looking through a mist)
in alternation tender, dreamy, grim
to match the shiftless pallor of the sky.

That's what you're like- these warm white afternoons
which make the ravished heart dissolve in tears,
the nerves, inexplicably overwrought,
outrage the dozing mind.

Not always, though-sometimes
you're like the horizon when the sun
ignites our cloudy autumn-how you glow!
A sodden countryside in sudden rout,

Out in the cold mid the dreary night,
Under the eaves of homes so bright:
Snowflakes falling o'er mother's grave
Will no one rescue, no one save?

A child left out in the dark and cold,
A lamb not sheltered in any fold,
Hearing the wolves of hunger bark,
Out in the cold! and out in the dark

Missing to-night the charming bliss,
That lies in the mother's good-night kiss;
And hearing no loving father's prayer,
For blessings his children all may share.

Creeping away to some wretched den,

It came from the prison this morning,
Close-twisted, neat-lettered, and flat;
It lies the hall doorway adorning,
A very good style of a mat.

Prison-made! how the spirit is moven
As we think of its story of dread --
What wiles of the wicked are woven
And spun in its intricate thread!

The letters are new, neat and nobby,
Suggesting a masterly hand --
Was it Sikes, who half-murdered the bobby,
That put the neat D on the "and"?

Some banker found guilty of laches --

The Blue Horizon wuz a mine us fellers all thought well uv,
And there befell the episode I now perpose to tell uv;
'T wuz in the year uv sixty-nine,--somewhere along in summer,--
There hove in sight one afternoon a new and curious comer;
His name wuz Silas Pettibone,--a' artist by perfession,--
With a kit of tools and a big mustache and a pipe in his possession.
He told us, by our leave, he 'd kind uv like to make some sketches
Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain
stretches;

MOTHER of God! no lady thou:
Common woman of common earth
Our Lady ladies call thee now,
But Christ was never of gentle birth;
A common man of the common earth.

For God’s ways are not as our ways:
The noblest lady in the land
Would have given up half her days,
Would have cut off her right hand,
To bear the child that was God of the land.

Never a lady did He choose,
Only a maid of low degree,
So humble she might not refuse
The carpenter of Galilee:
A daughter of the people, she.

Yet what were Love if man remains unfree,
   And woman's sunshine sordid merchandise:
If children's Hope is blasted ere they see
   Its shoots of youth from out the branchlets rise:
   If thought is chained, and gagged is Speech, and Lies
Enthroned as Law befoul posterity,
   And haggard Sin's ubiquitous disguise
Insults the face of God where'er men be?

Ay, what were Love, my love, did we not love
   Our stricken brothers so, as to resign
   For Its own sake, the foison of Its dower:

I.
FRIENDS of faces unknown and a land
Unvisited over the sea,
Who tell me how lonely you stand
With a single gold curl in the hand
Held up to be looked at by me, --


II.
While you ask me to ponder and say
What a father and mother can do,
With the bright fellow-locks put away
Out of reach, beyond kiss, in the clay
Where the violets press nearer than you.


III.
Shall I speak like a poet, or run
Into weak woman's tears for relief ?

Mrs. Gabrielle Giovannitti comes along Peoria Street
every morning at nine o'clock
With kindling wood piled on top of her head, her eyes
looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs. Pietro Giovannitti, whose
husband was killed in a tunnel explosion through
the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions
for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning,
Mrs. Pietro Giovannitti does,