Alfonso is a handsome bronze-hued lad
Of subtly-changing and surprising parts;
His moods are storms that frighten and make glad,
His eyes were made to capture women's hearts.

Down in the glory-hole Alfonso sings
An olden song of wine and clinking glasses
And riotous rakes; magnificently flings
Gay kisses to imaginary lasses.

Alfonso's voice of mellow music thrills
Our swaying forms and steals our hearts with joy;
And when he soars, his fine falsetto trills
Are rarest notes of gold without alloy.

Next, then, the peacock, gilt
With all its feathers. Look, what gorgeous dyes
Flow in the eyes!
And how deep, lustrous greens are splashed and spilt
Along the back, that like a sea-wave's crest
Scatters soft beauty o'er th' emblazoned breast!

A strange fowl! But most fit
For feasts like this, whereby I honor one
Pure as the sun!
Yet glowing with the fiery zeal of it!
Some wine? Your goblet's empty? Let it foam!
It is not often that you come to Rome!

You like the Venice glass?

While Monarchs in stern Battle strove
For proud Imperial Sway;
Abandon'd to his milder Love,
Within a silent peaceful Grove,
Alcidor careless lay.

Some term'd it cold, unmanly Fear;
Some, Nicety of Sense,
That Drums and Trumpets cou'd not hear,
The sullying Blasts of Powder bear,
Or with foul Camps dispense.

A patient Martyr to their Scorn,
And each ill-fashion'd Jest;
The Youth, who but for Love was born,
Remain'd, and thought it vast Return,
To reign in Cloria's Breast.

My father is dead.
I who am look at him
who is not, as once he
went looking for me
in the woman who was.

There are pictures
of the two of them, no
need of a third, hand
in hand, hearts willing
to be one but not three.

What does it mean
life? I am here I am
there. Look! Suddenly
the young tool in their hands
for hurting one another.

And the camera says:
Smile; there is no wound
time gives that is not bandaged
by time. And so they do the
three of them at me who weep.

One day, little Albert Ramsbottom
To see 'ow much money 'e'd got
Stuck a knife in 'is money-box slot 'ole
And fiddled and fished out the lot.

It amounted to fifteen and fourpence
Which 'e found by a few simple sums
Were ninety two tuppenny ices
Or twice that in penn'orths of gums.

The sound of the chinkin' of money
Soon brought father's 'ead round the door
He said, "Whats that there, on the table?"
Albert said it were, "Fifteen and four."

"You're not going to spend all that money..."
Said Pa, in an admonitory tone

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,
the voice of Mission Control

Twice or thrice had I loved thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame,
Angels affect us oft, and worshipped be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is,
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid love ask, and now
That it assume thy body I allow,
And fix itself to thy lip, eye, and brow.

There is a chimp named Ai who can count to five.
There's a poet named Ai whose selected poems Vice
just won the National Book Award.
The name 'Ai' is pronounced 'I'
so that whenever I talk about the poet Ai
such as I'm teaching Ai's poems again this semester
it sounds like I'm teaching my own poems
or when I say I love Ai's work
it sounds as if I'm saying I love my own poems
but have poor grammar. I haven't had a chance
to talk much yet about this Japanese chimp
who can arrange pictures in order of the number of objects

I. The husband's.

She's not a faultless woman; no!
She's not an angel in disguise:
She has her rivals here below:
She's not an unexampled prize:

She does not always see the point
Of little jests her husband makes:
And, when the world is out of joint,
She makes a hundred small mistakes:

She's not a miracle of tact:
Her temper's not the best I know:
She's got her little faults in fact,
Although I never tell her so.

But this, my wife, is why I hold you
As good a wife as ever stepped,

To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces