The Poet And His Book

Down, you mongrel, Death!
Back into your kennel!
I have stolen breath
In a stalk of fennel!
You shall scratch and you shall whine
Many a night, and you shall worry
Many a bone, before you bury
One sweet bone of mine!

When shall I be dead?
When my flesh is withered,
And above my head
Yellow pollen gathered
All the empty afternoon?
When sweet lovers pause and wonder
Whom am I that lie thereunder,
Hidden from the moon?

This my personal death?—
That my lungs be failing


The Poet

THEY tell you the poet is useless and empty the sound of his lyre,
That science has made him a phantom, and thinned to a shadow his fire:
Yet reformer has never demolished a dungeon or den of the foe
But the flame of the soul of a poet pulsated in every blow.

They tell you he hinders with tinklings, with gags from an obsolete stage,
The dramas of deed and the worship of Laws in a practical age:
But the deeds of to-day are the children of magical dreams he has sung,


The Poem of Zuhair

'Does the blackened ruin, situated in the stony ground between Durraj and Mutathallam, which did not speak to me, when addressed, belong to the abode of Ummi Awfa?

'And is it her dwelling at the two stony meadows, seeming as though they were the renewed tattoo marks in the sinews of the wrist?

'The wild cows and the white deer are wandering about there, one herd behind the other, while their young are springing up from every lying-down place.


The Poem of Imru al Qays

Stop, oh my friends, let us pause to weep over the remembrance of my beloved.
Here was her abode on the edge of the sandy desert between Dakhool and Howmal.


The traces of her encampment are not wholly obliterated even now.
For when the South wind blows the sand over them the North wind sweeps it away.


The courtyards and enclosures of the old home have become desolate;
The dung of the wild deer lies there thick as the seeds of pepper.



The Pleasures of Ordinary Life

I've had my share of necessary losses,
Of dreams I know no longer can come true.
I'm done now with the whys and the becauses.
It's time to make things good, not just make do.
It's time to stop complaining and pursue
The pleasures of an ordinary life.

I used to rail against my compromises.
I yearned for the wild music, the swift race.
But happiness arrived in new disguises:
Sun lighting a child's hair. A friend's embrace.
Slow dancing in a safe and quiet place.
The pleasures of an ordinary life.


The Pity of It

I. In South Africa

Over the lonesome African plain
The stars look down, like eyes of the slain.

A bumping ride across gullies and ruts,
Now a grumble and now a jest,
A bit of profanity jolted out,
--Whist!
Into a hornet's nest!
Curse on the scout!
Long-bearded Boers rising out of the rocks,
Rocks that already are crimson-splashed,
Ping-ping of bullets, stabbings and cuts,
As if hell hurtled and hissed,
--Then, muffling the shocks,
A sting in the breast,
A mist,


The Piano-Organ

My student-lamp is lighted,
The books and papers are spread;
A sound comes floating upwards,
Chasing the thoughts from my head.

I open the garret window,
Let the music in and the moon;
See the woman grin for coppers,
While the man grinds out the tune.

Grind me a dirge or a requiem,
Or a funeral-march sad and slow,
But not, O not, that waltz tune
I heard so long ago.

I stand upright by the window,
The moonlight streams in wan:--
O God! with its changeless rise and fall


the photograph a lynching

is it the cut glass
of their eyes
looking up toward
the new gnarled branch
of the black man
hanging from a tree?

is it the white milk pleated
collar of the woman
smiling toward the camera,
her fingers loose around
a christian cross drooping
against her breast?

is it all of us
captured by history into an
accurate album? will we be
required to view it together
under a gathering sky?


The Philosopher

And what are you that, wanting you,
I should be kept awake
As many nights as there are days
With weeping for your sake?

And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?

I know a man that's a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?

Yet women's ways are witless ways,
As any sage will tell,—
And what am I, that I should love
So wisely and so well?


The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;


Pages

Subscribe to RSS - women