The Famine

Oh the long and dreary Winter!
Oh the cold and cruel Winter!
Ever thicker, thicker, thicker
Froze the ice on lake and river,
Ever deeper, deeper, deeper
Fell the snow o'er all the landscape,
Fell the covering snow, and drifted
Through the forest, round the village.
Hardly from his buried wigwam
Could the hunter force a passage;
With his mittens and his snow-shoes
Vainly walked he through the forest,
Sought for bird or beast and found none,
Saw no track of deer or rabbit,


The Fate of Bass

On the snow-line of the summit stood the Spaniard's English slave;
And the frighted condor westward flew afar---
Where the torch of Cotopaxi lit the wide Pacific wave,
And the tender moon embraced a new-born star.
Blanched the cheek that Austral breezes off Van Diemen's coast had tanned,
Bent the form that on the deck stood stalwart there;
Slim and pallid as a woman's was the sailor's sunburnt hand,
And untimely silver streaked the strong man's hair.
From the forest far beneath him came the baffled bloodhound's bay,


The Farmer's Bride

Three summers since I chose a maid,
Too young maybe-but more's to do
At harvest-time that a bide and woo.
When us was wed she turned afraid
Of love and me and all things human;
Like the shut of winter's day
Her smile went out, and `twadn't a woman-
More like a little frightened fay.
One night, in the Fall, she runned away.

"Out 'mong the sheep, her be," they said,
Should properly have been abed;
But sureenough she wadn't there
Lying awake with her wide brown stare.


The Farewell

He rides away with sword and spur,
Garbed in his warlike blazonry,
With gallant glance and smile for her
Upon the dim-lit balcony.
Her kiss upon his lips is warm,
Upon his breast he wears her rose,
From her fond arms to stress and storm
Of many a bannered field he goes.

He dreams of danger, glory, strife,
His voice is blithe, his hand is strong,
He rides perchance to death from life
And leaves his lady with a song;
But her blue-brimmed eyes are dim
With her deep anguish standing there,


The Farewell

BENT o'er his sabre, torrents starting
From his dim eyes, the bold hussar
Thus greets his cherish'd maid, while parting
For distant fields of war:

'Weep not, my fair one! O forbear thee!
No anguish can those tears remove;
For, by my troth and beard, I swear thee,
Time shall not change my love.

'That love shall bloom— a deathless blossom,
My shield in fight— with sword in hand,
And thou, my Lila, in my bosom,
What shall that sword withstand?


The Faire Amarillis

Amarillis was full fayre:
The goodlyest mayde was she
From the east unto the west
That heaven's eye could se.


To Diana at her birthe
Her parents did her geve,
All untouchte a mayden's lyfe
Durynge her dayes to lyue:


Whose beheste she constant kepte
And whollye was enclynde
To be free to get great prayse
And win eche worthye mynde.


As there was good cause enoughe
So was she honored most.
They that had her seene abroade
At home would make their boaste.


The Fair Maid of Perth's House

All ye good people, afar and near,
To my request pray lend an ear;
I advise you all without delay to go
And see the Fair Maid's House - it is a rare show.

Some of the chairs there are very grand,
They have been cut and carved by a skilful hand;
And kings, perchance, if fhe truth were told,
Have sat on them in days of old.

King James the First of Scotland was murdered there,
And his cries for mercy rent the air.
But the Highland robbers only laughed at him,


The Factory Girl

She wasn't the least bit pretty,
And only the least bit gay;
And she walked with a firm elastic tread,
In a business-like kind of way.
Her dress was of coarse, brown woollen,
Plainly but neatly made,
Trimmed with some common ribbon
Or cheaper kind of braid;
And a hat with a broken feather,
And shawl of a modest plaid.

Her face seemed worn and weary,
And traced with lines of care,
As her nut-brown tresses blew aside
In the keen December air;
Yet she was not old, scarce twenty,


The End Of Your Life

First light. This misted field
is the world, that man
slipping the greased bolt

back and forth, that man
tunneled with blood
the dark smudges of whose eyes

call for sleep, calls
for quiet, and the woman
down your line,

the woman who screamed the loudest,
will be quiet.
The rushes, the grassless shale,

the dust, whiten like droppings.
One blue
grape hyacinth whistles


The End of Love

Now he is dead
How should I know
My true love's arms
From wind and snow?

No man I meet
In field or house
Though in the street
A hundred pass.

The hurrying dust
Has never a face,
No longer human
In man or woman.

Now he is gone
Why should I mourn
My true love more than mud,
than mud or stone?


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