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I

'Twas Driver Smith of Battery A was anxious to see a fight;
He thought of the Transvaal all the day, he thought of it all the night --
"Well, if the battery's left behind, I'll go to the war," says he,
"I'll go a-driving and ambulance in the ranks of the A.M.C.
"I'm fairly sick of these here parades -- it's want of a change that kills --
A-charging the Randwick Rifle Range and aiming at Surry Hills.
And I think if I go with the ambulance I'm certain to find a show,
For they have to send the Medical men wherever the troops can go.

My world is a painted fresco, where coloured shapes
Of old, ineffectual lives linger blurred and warm;
An endless tapestry the past has women drapes
The halls of my life, compelling my soul to conform.

The surface of dreams is broken,
The picture of the past is shaken and scattered.
Fluent, active figures of men pass along the railway, and I am woken
From the dreams that the distance flattered.

Along the railway, active figures of men.
They have a secret that stirs in their limbs as they move

We met for supper in your flat-bottomed boat.
I got there first: in a white dress: I remember
Wondering if you'd come. Then you shot over the bank,
A Virgilian Nigger Jim, and poled us off
To a little sea-food barker's cave you knew.

What'll you have? you said. Eels hung down,
Bamboozled claws hung up from the crackling weeds.
The light was all behind us. To one side
In a dish of ice was a shell shaped like a sand-dollar
But worked with Byzantine blue and gold. What's that?

Man dies too soon, beside his works half-planned.
His days are counted and reprieve is vain:
Who shall entreat with Death to stay his hand;
Or cloke the shameful nakedness of pain?

Send here the bold, the seekers of the way--
The passionless, the unshakeable of soul,
Who serve the inmost mysteries of man's clay,
And ask no more than leave to make them whole.

I

   There dwells a mighty pair -
   Slow, statuesque, intense -
   Amid the vague Immense:
None can their chronicle declare,
   Nor why they be, nor whence.

,h II

   Mother of all things made,
   Matchless in artistry,
   Unlit with sight is she. -
And though her ever well-obeyed
   Vacant of feeling he.

III

   The Matron mildly asks -
   A throb in every word -
   "Our clay-made creatures, lord,
How fare they in their mortal tasks

I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan,
We all have seen him, in the pantomime,
Sent to the Devil somewhat ere his time.

When Bishop Berkeley said "there was no matter,"
And proved it--'twas no matter what he sald:
They say his system 'tis in vain to batter,
Too subtle for the airiest human head;
And yet who can believe it! I would shatter
Gladly all matters down to stone or lead,
Or adamant, to find the World a spirit,
And wear my head, denying that I wear it.

All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper--
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying

Let's make a change, girl.

But Sunday mornings are hers--
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing. She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.

Cleanliness is next to godliness ...

Does it matter?-losing your legs?
For people will always be kind,
And you need not show that you mind
When others come in after hunting
To gobble their muffins and eggs.
Does it matter?-losing you sight?
There’s such splendid work for the blind;
And people will always be kind,
As you sit on the terrace remembering
And turning your face to the light.
Do they matter-those dreams in the pit?
You can drink and forget and be gald,
And people won't say that you’re mad;