work

O now that the genius of Bewick were mine,
And the skill which he learned on the banks of the Tyne.
Then the Muses might deal with me just as they chose,
For I'd take my last leave both of verse and of prose.

What feats would I work with my magical hand!
Book-learning and books should be banished the land:
And, for hunger and thirst and such troublesome calls,
Every ale-house should then have a feast on its walls.

The traveller would hang his wet clothes on a chair;

We walked along, while bright and red
Uprose the morning sun;
And Matthew stopped, he looked, and said,
'The will of God be done!'

A village schoolmaster was he,
With hair of glittering grey;
As blithe a man as yon could see
On a spring holiday.

And on that morning, through the grass,
And by the steaming rills,
We travelled merrily, to pass
A day among the hills.

'Our work,' said I, 'was well begun,
Then, from thy breast what thought,
Beneath so beautiful a sun,

So like a flower and a current of air
the flow of water fleeting shadows
the smile glimpsed at midnight this excellent evening
so like every joy and every sadness
it is the midnight past lifting its naked body above belfries and poplars
I call to me those lost in the fields
old skeletons young oaks cut down
scraps of cloth rotting on the ground and linen drying in farm country
I call tornadoes and hurricanes
storms typhoons cyclones
tidal waves
earthquakes
I call the smoke of volcanoes and the smoke of cigarettes

Fain had I to-day surprised my mistress,
But soon found I that her door was fasten'd.
Yet I had the key safe in my pocket,
And the darling door I open'd softly!
In the parlour found I not the maiden,
Found the maiden not within her closet,
Then her chamber-door I gently open'd,
When I found her wrapp'd in pleasing slumbers,
Fully dress'd, and lying on the sofa.

While at work had slumber stolen o'er her;
For her knitting and her needle found I
Resting in her folded bands so tender;
And I placed myself beside her softly,

The Vision of Judgment
(notes)

BY

QUEVEDO REDIVIVUS



SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER'

'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.'

PREFACE

It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —

'That fools rush in where angels fear to tread.' - Pope

Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's-no-he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear? I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment.'

I have done one braver thing
Than all the Worthies did,
And yet a braver thence doth spring,
Which is, to keep that hid.

It were but madness now t'impart
The skill of specular stone,
When he which can have learn'd the art
To cut it, can find none.

So, if I now should utter this,
Others (because no more
Such stuff to work upon, there is,)
Would love but as before.

But he who loveliness within
Hath found, all outward loathes,
For he who colour loves, and skin,

It was shearing time at the Myall Lake,
And then rose the sound through the livelong day
Of the constant clash that the shear-blades make
When the fastest shearers are making play;
But there wasn't a man in the shearers' lines
That could shear a sheep with the two Devines.
They had rung the sheds of the east and west,
Had beaten the cracks of the Walgett side,
And the Cooma shearers had given them best --
When they saw them shear, they were satisfied.
From the southern slopes to the western pines

Tiger! Tiger! burning bright
In the forest of the night
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And What shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp

Oh, he was old and he was spare;
His bushy whiskers and his hair
Were all fussed up and very grey
He said he'd come a long, long way
And had a long, long way to go.
Each boot was broken at the toe,
And he'd a swag upon his back.
His billy-can, as black as black,
Was just the thing for making tea
At picnics, so it seemed to me.

'Twas hard to earn a bite of bread,
He told me. Then he shook his head,
And all the little corks that hung
Around his hat-brim danced and swung