work

At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay

Not done, but near its ending,
Is the work that our eyes desired;
Not yet fulfilled, but near the goal,
Is the hope that our worn hearts fired.
And on the Alban Mountains,
Where the blushes of dawn increase,
We see the flash of the beautiful feet
Of Freedom and of Peace!

How long were our fond dreams baffled!-
Novara's sad mischance,
The Kaiser's sword and fetter-lock,
And the traitor stab of France;
Till at last came glorious Venice,
In storm and tempest home;

The foaming stream from out the rock
With thunder roar begins to rush,--
The oak falls prostrate at the shock,
And mountain-wrecks attend the gush.
With rapturous awe, in wonder lost,
The wanderer hearkens to the sound;
From cliff to cliff he hears it tossed,
Yet knows not whither it is bound:
'Tis thus that song's bright waters pour
From sources never known before.

In union with those dreaded ones
That spin life's thread all-silently,

Not human art, but living gods alone
Can fashion beauties that by changing live,--
Her buds to spring, his fruits to autumn give,
To earth her fountains in her heart of stone;
But these in their begetting are o'erthrown,
Nor may the sentenced minutes find reprieve;
And summer in the blush of joy must grieve
To shed his flaunting crown of petals blown.
We to our works may not impart our breath,
Nor them with shifting light of life array;
We show but what one happy moment saith;

Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live

The portrait there above my bed
They tell me is a work of art;
My Wife,--since twenty years she's dead:
Her going nearly broke my heart.
Alas! No little ones we had
To light our hearth with joy and glee;
Yet as I linger lone and sad
I know she's waiting me.

The picture? Sargent painted it,
And it has starred in many a show.
Her eyes are on me where I sit,
And follow me where'er I go.
She'll smile like that when I am gone,
And I am frail and oh so ill!
Aye, when I'm waxen, cold and wan,

Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!


"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?

NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,

He lies on his back, the idling smith,
A lazy, dreaming fellow is he;
The sky is blue, or the sky is gray,
He lies on his back the livelong day,
Not a tool in sight, say what they may,
A curious sort of smith is he.

The powers of the air are in league with him;
The country around believes it well;
The wondering folk draw spying near;
Never sight nor sound do they see or hear;
No wonder they feel a little fear;
When is it his work is done so well?

Never sight nor sound to see or hear;

CARE is a Poet fine:
He works in shade or shine,
And leaves—you know his sign!—
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost—
A line that means Thou Wast.

Then deeper script appears: