work

I heard or seemed to hear the chiding Sea
Say, Pilgrim, why so late and slow to come?
Am I not always here, thy summer home?
Is not my voice thy music, morn and eve?
My breath thy healthful climate in the heats,
My touch thy antidote, my bay thy bath?
Was ever building like my terraces?
Was ever couch magnificent as mine?
Lie on the warm rock-ledges, and there learn
A little hut suffices like a town.
I make your sculptured architecture vain,
Vain beside mine. I drive my wedges home,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.

It is a certain hill
the one I imagine when I hear the word "hill"
and if the apocalypse turns out

LIFE has dark secrets; and the hearts are few
That treasure not some sorrow from the world--
A sorrow silent, gloomy, and unknown,
Yet colouring the future from the past.
We see the eye subdued, the practised smile,
The word well weighed before it pass the lip,
And know not of the misery within:
Yet there it works incessantly, and fears
The time to come; for time is terrible,
Avenging, and betraying.

Darling, you think it's love, it's just a midnight journey.
Best are the dales and rivers removed by force,
as from the next compartment throttles "Oh, stop it, Bernie,"
yet the rhythm of those paroxysms is exactly yours.
Hook to the meat! Brush to the red-brick dentures,
alias cigars, smokeless like a driven nail!
Here the works are fewer than monkey wrenches,
and the phones are whining, dwarfed by to-no-avail.
Bark, then, with joy at Clancy, Fitzgibbon, Miller.
Dogs and block letters care how misfortune spells.

A city clerk, but gently born and bred;
His wife, an unknown artist's orphan child--
One babe was theirs, a Margaret, three years old:
They, thinking that her clear germander eye
Droopt in the giant-factoried city-gloom,
Came, with a month's leave given them, to the sea:
For which his gains were dock'd, however small:
Small were his gains, and hard his work; besides,
Their slender household fortunes (for the man
Had risk'd his little) like the little thrift,
Trembled in perilous places o'er a deep:

Say, lad, have you things to do?
Quick then, while your day's at prime.
Quick, and if 'tis work for two,
Here am I man: now's your time.

Send me now, and I shall go;
Call me, I shall hear you call;
Use me ere they lay me low
Where a man's no use at all;

Ere the wholesome flesh decay
And the willing nerve be numb,
And the lips lack breath to say,
"No, my lad, I cannot come."

"Form follows function follows form . . . , etc."

--Dr. J. Anthony Wadlington

Here I am writing my first villanelle
At seventy-two, and feeling old and tired--
"Hey, Pops, why dontcha give us the old death knell?"--

And writing it what's more on the rim of hell
In blazing Arizona when all I desired
Was north and solitude and not a villanelle,

Working from memory and not remembering well
How many stanzas and in what order, wired
On Mexican coffee, seeing the death knell

(Revelations, iii. 1-6)

"Write to Sardis," saith the Lord,
"And write what He declares,
He whose Spirit, and whose word,
Upholds the seven stars:
All thy works and ways I search,
Find thy zeal and love decay'd;
Thou art call'd a living church,
But thou art cold and dead.

"Watch, remember, seek, and strive,
Exert thy former pains;
Let thy timely care revive,
And strengthen what remains;
Cleanse thine heart, thy works amend,
Former times to mind recall,

Those lovers, young, may think they know,
But they won't know the score,
Until they're married twenty years,
And then they add some more.

Some lovers must experiment
On ways that 'sex is best; '
But practicing eroticism
Doesn't meet the test.

The thing they need to learn is that
Good sex is tied to love;
And love is the ingredient
There is too little of.

With love they'd learn the meaning of
The many ways to give,
The many ways successful lovers
Learn to love and live.