Out in the grey cheerless chill of the morning light,
Out on the track where the night shades still lurk,
ere the first gleam of the sungod's returning light
Round come the racehorses early at work.
Reefing and pulling and racing so readily,
Close sit the jockey-boys holding them hard,
"Steady the stallion there -- canter him steadily,
Don't let him gallop so much as a yard."

Fiercely he fights while the others run wide of him,
Reefs at the bit that would hold him in thrall,
Plunges and bucks till the boy that's astride of him

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;

Mrs. Gabrielle Giovannitti comes along Peoria Street
every morning at nine o'clock
With kindling wood piled on top of her head, her eyes
looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs. Pietro Giovannitti, whose
husband was killed in a tunnel explosion through
the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions
for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning,
Mrs. Pietro Giovannitti does,

(Lord Dufferin to Lord Lansdowne)


So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.
I wonder can I help you. Let me try.

Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down. The worst part is this
is not from a bad movie. I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change." A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible. I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
the amazed owner actually proclaimed

(PHILADELPHIA, 1794)

Look, look, brave Sol doth peep up from beneath,
Shows us his golden face, doth on us breathe;
He also doth compass us round with glories,
Whilst he ascends up to his highest stories.
Where he his banner over us displays,
And gives us light to see our works and ways.
Nor are we now, as at the peep of light,
To question, is it day, or is it night?
The night is gone, the shadows fled away,
And we now most sure are that it is day.
Our eyes behold it, and our hearts believe it;
Nor can the wit of man in this deceive it.

When Faith and Love, which parted from thee never,
Had ripened thy just soul to dwell with God,
Meekly thou didst resign this earthly load
Of death, called life, which us from life doth sever.
Thy works, and alms, and all thy good endeavour,
Stayed not behind, nor in the grave were trod;
But, as Faith pointed with her golden rod,
Followed thee up to joy and bliss for ever.
Love led them on; and Faith, who knew them best
Thy handmaids, clad them o’er with purple beams
And azure wings, that up they flew so drest,

Sacerdos
Fronde super mitram, & felici comptus oliva.
Virg.


To the Lord Privy Seal

Contending kings, and fields of death, too long
Have been the subject of the British song.
Who hath not read of fam'd Ramillia's plain,
Bavaria's fall, and Danube choak'd with slain!
Exhausted themes! a gentler note I raise,
And sing returning peace in softer lays.
Their fury quell'd, and martial rage allay'd,
I wait our heroes in the sylvan shade:
Disbanding hosts are imag'd to my mind,

A Brother and Sister


O I admire and sorrow! The heart’s eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty’s dearest veriest vein is tears.

Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time’s aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down