work

Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room,
Even in the eyes of all posterity
That wear this world out to the ending doom.

Now what is Love, I pray thee, tell?
It is that fountain and that well
Where pleasure and repentance dwell;
It is, perhaps, the sauncing bell
That tolls all into heaven or hell;
And this is Love, as I hear tell.

Yet what is Love, I prithee, say?
It is a work on holiday,
It is December matched with May,
When lusty bloods in fresh array
Hear ten months after of the play;
And this is Love, as I hear say.

Yet what is Love, good shepherd, sain?
It is a sunshine mixed with rain,

Not in a silver casket cool with pearls
Or rich with red corundum or with blue,
Locked, and the key withheld, as other girls
Have given their loves, I give my love to you;
Not in a lovers'-knot, not in a ring
Worked in such fashion, and the legend plain—
Semper fidelis, where a secret spring
Kennels a drop of mischief for the brain:
Love in the open hand, no thing but that,
Ungemmed, unhidden, wishing not to hurt,
As one should bring you cowslips in a hat
Swung from the hand, or apples in her skirt,

Dosn't thou 'ear my 'erse's legs, as they canters awaäy?
Proputty, proputty, proputty--that's what I 'ears 'em saäy.
Proputty, proputty, proputty--Sam, thou's an ass for thy paaïns:
Theer's moor sense i' one o' 'is legs, nor in all thy braaïns.
Woä--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eäther a man or a mouse?
Time to think on it then; for thou'll be twenty to weeäk.
Proputty, proputty--woä then, woä--let ma 'ear mysén speäk.

North Country, filled with gesturing wood,
With trees that fence, like archers' volleys,
The flanks of hidden valleys
Where nothing's left to hide

But verticals and perpendiculars,
Like rain gone wooden, fixed in falling,
Or fingers blindly feeling
For what nobody cares;

Or trunks of pewter, bangled by greedy death,
Stuck with black staghorns, quietly sucking,
And trees whose boughs go seeking,
And tress like broken teeth

With smoky antlers broken in the sky;

Eternal and all-working God, which wast
Before the world, whose frame by Thee was cast,
And beautified with beamful lamps above,
By thy great wisdom set how they should move
To guide the seasons, equally to all,
Which come and go as they do rise and fall.

My mighty Maker, O do thou infuse
Such life and spirit into my labouring Muse,
That I may sing (what but from Noah thou hid'st)
The greatest thing that ever yet thou didst
Since the creation; that the world may see

Indeed this is the sweet life! my hand
Is under no proud man's command;
There is no voice to break my rest
Before a bird has left its nest;
There is no man to change my mood,
When I go nutting in the wood;
No man to pluck my sleeve and say --
I want thy labour for this day;
No man to keep me out of sight,
When that dear Sun is shining bright.
None but my friends shall have command
Upon my time, my heart and hand;
I'll rise from sleep to help a friend,
But let no stranger orders send,

I was drivin' my two-mule waggin,
With a lot o' truck for sale,
Towards Macon, to git some baggin'
(Which my cotton was ready to bale),
And I come to a place on the side o' the pike
Whar a peert little winter branch jest had throw'd
The sand in a kind of a sand-bar like,
And I seed, a leetle ways up the road,
A man squattin' down, like a big bull-toad,
On the ground, a-figgerin' thar in the sand
With his finger, and motionin' with his hand,
And he looked like Ellick Garry.
And as I driv up, I heerd him bleat

In troublous days of anguish and rebuke,
While sadly round them Israel's children look,
And their eyes fail for waiting on their Lord:
While underneath each awful arch of green,
On every mountain-top, God's chosen scene,
Of pure heart-worship, Baal is adored:

'Tis well, true hearts should for a time retire
To holy ground, in quiet to aspire
Towards promised regions of serener grace;
On Horeb, with Elijah, let us lie,
Where all around on mountain, sand, and sky,

He woke up in New York City on Valentine's Day,
Speeding. The body in the booth next to his was still warm,
Was gone. He had bought her a sweater, a box of chocolate
Said her life wasn't working he looked stricken she said
You're all bent out of shape, accusingly, and when he
She went from being an Ivy League professor of French
To an illustrator for a slick midtown magazine
They agreed it was his fault. But for now they needed
To sharpen to a point like a pencil the way
The Empire State Building does. What I really want to say