As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.

The blizzard felled the elm whose crest

And if you can't shape your life the way you want,
at least try as much as you can
not to degrade it
by too much contact with the world,
by too much activity and talk.

Try not to degrade it by dragging it along,
taking it around and exposing it so often
to the daily silliness
of social events and parties,
until it comes to seem a boring hanger-on.

AS I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me, with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said;
Know'st thou not, there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles, 10
The making of perfect soldiers?

ALCESTIS


Shall I never make him look at me again?
I look at him, I look my life at him,
I tell him all I know the way to tell,
But there he stays the same.

Shall I never make him speak one word to me?
Shall I never make him say enough to show
My heart if he be glad? Be glad? … ah! God,
Why did they bring me back?

I wonder, if I go to him again,
If I take him by those two cold hands again,
Shall I get one look of him at last, or feel
One sign—or anything?

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.

WHEN the sap runs up the tree.
And the vine runs o’er the wall,
When the blossom draws the bee,
From the forest comes a call,
Wild, and clear, and sweet, and strange,
Many-tongued and murmuring
Like the river in the range—
’Tis the joyous voice of Spring!
On the boles of grey, old trees,
See the flying sunbeams play
Mystic, soundless melodies—
A fantastic march and gay;
But the young leaves hear them—hark
How they rustle, every one!—
And the sap beneath the bark
Hearing, leaps to meet the sun.

Don't jeer because we celebrate
Armistice Day,
Though thirty years of sorry fate
Have passed away.
Though still we gaurd the Sacred Flame,
And fly the Flag,
That World War Two with grief and shame
Revealed--a rag.
II
For France cannot defend to-day
Her native land;
And she is far to proud to pray
For helping hand.
Aye, though she stands amid the Free,
In love with life,
No more her soil will shambles be

Fire out of heaven, a flower of perfect fire,
That where the roots of life are had its root
And where the fruits of time are brought forth fruit;
A faith made flesh, a visible desire,
That heard the yet unbreathing years respire
And speech break forth of centuries that sit mute
Beyond all feebler footprint of pursuit;
That touched the highest of hope, and went up higher;
A heart love-wounded whereto love was law,
A soul reproachless without fear or flaw,
A shining spirit without shadow of shame,

When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.

I loathed you, Spoon River. I tried to rise above you,
I was ashamed of you. I despised you
As the place of my nativity.
And there in Rome, among the artists,
Speaking Italian, speaking French,
I seemed to myself at times to be free
Of every trace of my origin.
I seemed to be reaching the heights of art
And to breathe the air that the masters breathed,
And to see the world with their eyes.
But still they'd pass my work and say:
"What are you driving at, my friend?
Sometimes the face looks like Apollo's