Attorney Sneak

Sharp like a tyrant, timid like a slave,
A little man, with yellow, bloodless cheek;
A snappish mingling of the fool and knave,
Resulting in the hybrid compound — Sneak.

Put execution in on Mrs. Hart —
If people will be careless, let them smart:
Oh, hang her children! just the common cry!
Am I to feed her family? Not I.
I'm tender-hearted, but I dare be just, —
I never go beyond the law, I trust;
I've work'd my way, plotted and starved and plann'd,
Commenced without a penny in my hand,

Twenty Four Years

Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance as long as forever is.


Transcription of Organ Music

The flower in the glass peanut bottle formerly in the
kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
kindly stayed open waiting for me, its owner.

I began to feel my misery in pallet on floor, listening
to music, my misery, that's why I want to sing.
The room closed down on me, I expected the presence
of the Creator, I saw my gray painted walls and
ceiling, they contained my room, they contained
me
as the sky contained my garden,
I opened my door


Tom Beatty

I was a lawyer like Harmon Whitney
Or Kinsey Keene or Garrison Standard,
For I tried the rights of property,
Although by lamp-light, for thirty years,
In that poker room in the opera house.
And I say to you that Life's a gambler
Head and shoulders above us all.
No mayor alive can close the house.
And if you lose, you can squeal as you will;
You'll not get back your money.
He makes the percentage hard to conquer;
He stacks the cards to catch your weakness
And not to meet your strength.


To The Whore Who Took My Poems

some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply


You Men

(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:

si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?

Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.

Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.

Queréis, con presunción necia,


Yesterday and Today XII

The gold-hoarder walked in his palace park and with him walked his troubles. And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.


Worry About Money

Wearing worry about money like a hair shirt
I lie down in my bed and wrestle with my angel.

My bank-manager could not sanction my continuance for another day
But life itself wakes me each morning, and love

Urges me to give although I have no money
In the bank at this moment, and ought properly

To cease to exist in a world where poverty
Is a shameful and ridiculous offence.

Having no one to advise me, I open the Bible
And shut my eyes and put my finger on a text


Worm Either Way

If you live along with all the other people
and are just like them, and conform, and are nice
you're just a worm --

and if you live with all the other people
and you don't like them and won't be like them and won't conform
then you're just the worm that has turned,
in either case, a worm.

The conforming worm stays just inside the skin
respectably unseen, and cheerfully gnaws away at the heart of life,
making it all rotten inside.


Winnie

When I went by the meadow gate
The chestnut mare would trot to meet me,
And as her coming I would wait,
She'd whinney high as if to greet me.
And I would kiss her silky nose,
And stroke her neck until it glistened,
And speak soft words: I don't suppose
She understand - but how she listened!

Then in the war-net I was caught,
Returning three black winters older;
And when the little mare I sought
The farmer told me he had sold her.
And so time passed - when in the street


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