Place me once more, my daughter, where the sun
May shine upon my old and time-worn head,
For the last time, perchance. My race is run;
And soon amidst the ever-silent dead
I must repose, it may be, half forgot.
Yes! I have broke the hard and bitter bread
For many a year, and with those who trembled not
To buckle on their armor for the fight,
And set themselves against the tyrant's lot;
And I have never bowed me to his might,
Nor knelt before him -- for I bear within
My heart the sternest consciousness of right,

Still sober, César Vallejo comes home and finds a black ribbon
around the apartment building covering the front door.
He puts down his cane, removes his greasy fedora, and begins
to untangle the mess. His neighbors line up behind him
wondering what's going on. A middle-aged woman carrying
a loaf of fresh bread asks him to step aside so she
can enter, ascend the two steep flights to her apartment,
and begin the daily task of preparing lunch for her Monsieur.
Vallejo pretends he hears nothing or perhaps he truly

I shall die in Paris, in a rainstorm,
On a day I already remember.
I shall die in Paris-- it does not bother me--
Doubtless on a Thursday, like today, in autumn.

It shall be a Thursday, because today, Thursday
As I put down these lines, I have set my shoulders
To the evil. Never like today have I turned,
And headed my whole journey to the ways where I am alone.

César Vallejo is dead. They struck him,
All of them, though he did nothing to them,
They hit him hard with a stick and hard also

A day of seeming innocence,
A glorious sun and sky,
And, just above my picket fence,
Black Bonnet passing by.
In knitted gloves and quaint old dress,
Without a spot or smirch,
Her worn face lit with peacefulness,
Old Granny goes to church.

Her hair is richly white, like milk,
That long ago was fair --
And glossy still the old black silk
She keeps for "chapel wear";
Her bonnet, of a bygone style,
That long has passed away,
She must have kept a weary while
Just as it is to-day.

Kindle, Saviour, in my heart,
A flame of love divine;
Hear, for mine I trust thou art,
And sure I would be thine;
If my soul has felt thy grace,
If to me thy name is known;
Why should trifles fill the place
Due to thyself alone?

'Tis a strange mysterious life
I live from day to day;
Light and darkness, peace and strife,
Bear an alternate sway:
When I think the battle won,
I have to fight it o'er again;
When I say I'm overthrown,
Relief I soon obtain.

Often at the mercy-seat,

In Wall Street once a potent power,
And now a multi-millionaire
Alone within a shady bower
In clothes his valet would not wear,
He watches bird wings bright the air.
II
The man who mighty mergers planned,
And oil and coal kinglike controlled,
With field-glasses in failing hand
Spies downy nestlings five days old,
With joy he could not buy for gold.
III
Aye, even childlike is his glee;
But how he crisps with hate and dread
And shakes a clawlike fist to see
A kestrel hover overhead:

I

Speak of you, sir? You bet he did. Ben Fields was far too sound
To go back on a fellow just because he weren't around.
Why, sir, he thought a lot of you, and only three months back
Says he, "The Squire will some time come a-snuffing out our track
And give us the surprise." And so I got to thinking then
That any day you might drop down on Rove, and me, and Ben.
And now you've come for nothing, for the lad has left us two,
And six long weeks ago, sir, he went up beyond the blue.

Love's aftermath! I think the time is now
That we must gather in, alone, apart
The saddest crop of all the crops that grow,
Love's aftermath.
Ah, sweet,--sweet yesterday, the tears that start
Can not put back the dial; this is, I trow,
Our harvesting! Thy kisses chill my heart,
Our lips are cold; averted eyes avow
The twilight of poor love: we can but part,
Dumbly and sadly, reaping as we sow,
Love's aftermath.

503

Better—than Music! For I—who heard it—
I was used—to the Birds—before—
This—was different—'Twas Translation—
Of all tunes I knew—and more—

'Twasn't contained—like other stanza—
No one could play it—the second time—
But the Composer—perfect Mozart—
Perish with him—that Keyless Rhyme!

So—Children—told how Brooks in Eden—
Bubbled a better—Melody—
Quaintly infer—Eve's great surrender—
Urging the feet—that would—not—fly—

Children—matured—are wiser—mostly—
Eden—a legend—dimly told—

ARGUMENT.