alone

How near me came the hand of Death,
When at my side he struck my dear,
And took away the precious breath
Which quicken’d my belovàd peer!1
How helpless am I thereby made!
By day how grieved, by night how sad!
And now my life’s delight is gone,
—Alas! how am I left alone!
The voice which I did more esteem
Than music in her sweetest key,
Those eyes which unto me did seem
More comfortable than the day;
Those now by me, as they have been,
Shall never more be heard or seen;
But what I once enjoy’d in them

...
This only grant me: that my means may lie
Too low for envy, for contempt too high.
Some honour I would have,
Not from great deeds, but good alone;
Th' ignote are better than ill-known,
Rumour can ope the grave.
Acquaintance I would hug, but when 't depends
Not from the number, but the choice of friends.

Books should, not bus'ness, entertain the light,
And sleep, as undisturb'd as death, the night.
My house a cottage, more
Than palace, and should fitting be

"There is my little trembling star," she said.
   I looked; once more
The tender sea had put the sun to bed,
   And heaven's floor
   Was grey.

And nowhere yet in all that young night sky
   Was any star,
But one that hung above the sea. Not high,
   Nor very far
   Away.

"I watch it every night," she said, and crept
   Within my arm.
"Soft little star, I wish the angels kept
   It safe from harm
   Alway.

"I know it is afraid," she said; her eyes

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.

The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift

A little child stood thinking, sorrowfully and ill at ease,
In a forest beneath the branches of the tall pine trees -
And his big brown eyes with tears seemed dim,
While one soft arm rested on a huge dog close by him.

And only four summers had passed o'er his baby head,
And, poor little child, his twin brother was dead,
Who had died but a few days before,
And now he must play alone, for he'd see him no more.

And for many generations 'tis said for a truth

'Twas Christmastide in Germany,
And in the year of 1850,
And in the city of Berlin, which is most beautiful to the eye;
A poor boy was heard calling out to passers-by.
"Who'll buy my pretty figures," loudly he did cry,
Plaster of Paris figures, but no one inclined to buy;
His clothes were thin and he was nearly frozen with cold,
And wholly starving with hunger, a pitiful sight to behold.

And the twilight was giving place to the shadows of approaching night,
And those who possessed a home were seeking its warmth and light;

She stands as pale as Parian statues stand;
Like Cleopatra when she turned at bay,
And felt her strength above the Roman sway,
And felt the aspic writhing in her hand.
Her face is steadfast toward the shadowy land,
For dim beyond it looms the light of day;
Her feet are steadfast; all the arduous way
That foot-track hath not wavered on the sand.
She stands there like a beacon thro' the night,
A pale clear beacon where the storm-drift is;
She stands alone, a wonder deathly white;

Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,

Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.

His senses are too gross; and he'll contrive
A sixth, to contradict the other five;
And before certain instinct will prefer
Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind,