fury

for mama

remember this.
she is standing by
the furnace.
the coals
glisten like rubies.
her hand is crying.
her hand is clutching
a sheaf of papers.
poems.
she gives them up.
they burn
jewels into jewels.
her eyes are animals.
each hank of her hair
is a serpent's obedient
wife.
she will never recover.
remember. there is nothing
you will not bear
for this woman's sake.


From 'The Testament of Beauty

'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space


From the Roof

This wild night, gathering the washing as if it were flowers
      &n bsp;   animal vines twisting over the line and
           slapping my face lightly, soundless merriment
           in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
      &nb sp;   halfmade foundations and unfinished
     &nbsp ;    drainage trenches and the spaced-out
     &nbsp ;               circles of glaring light


For The One Who Would Not Take His Life In His Hands

Athlete, virtuoso,
Training for happiness,
Bend arm and knee, and seek
The body's sharp distress,
For pain is pleasure's cost,
Denial is route
To speech before the millions
Or personal with the flute.

The ape and great Achilles,
Heavy with their fate,
Batter doors down, strike
Small children at the gate,
Driven by love to this,
As knock-kneed Hegel said,
To seek with a sword their peace,
That the child may be taken away
From the hurly-burly and fed.


For The Country

THE DREAM

This has nothing to do with war
or the end of the world. She
dreams there are gray starlings
on the winter lawn and the buds
of next year's oranges alongside
this year's oranges, and the sun
is still up, a watery circle
of fire settling into the sky
at dinner time, but there's no
flame racing through the house
or threatening the bed. When she
wakens the phone is ringing
in a distant room, but she
doesn't go to answer it. No
one is home with her, and the cars


For an Earth-Landing

the sky sinks its blue teeth
into the mountains.

Rising on pure will

(the lurch & lift-off,
the sudden swing
into wide, white snow),

I encourage the cable.

Past the wind
& crossed tips of my skis
& the mauve shadows of pines
& the spoor of bears
& deer,

I speak to my fear,

rising, riding,
finding myself

the only thing
between snow & sky,

the link
that holds it all together.

Halfway up the wire,


Fear Is What Quickens Me

1

Many animals that our fathers killed in America
Had quick eyes.
They stared about wildly,
When the moon went dark.
The new moon falls into the freight yards
Of cities in the south,
But the loss of the moon to the dark hands of Chicago
Does not matter to the deer
In this northern field.


2

What is that tall woman doing
There, in the trees?
I can hear rabbits and mourning dovees whispering together
In the dark grass, there
Under the trees.


3


Fawn Ghazal

Inside a snowy blanket which put the trees to sleep,
I heard a fawn.
Out past the window's ice coat in the morning, I
found a sleeping fawn.

There are men in yellow kitchens watching hands of
brown-eyed women
while men in orange jackets dream in secret, of
capturing a fawn.

When I was younger I was taught, but have forgotten,
sweet timidity.
When I am older I will learn, by necessity, the
light-footedness of fawns.

Someone left a lily on my doorstep, eggshell white


Exposed on the cliffs of the heart

Exposed on the cliffs of the heart. Look, how tiny down there,
look: the last village of words and, higher,
(but how tiny) still one last
farmhouse of feeling. Can you see it?
Exposed on the cliffs of the heart. Stoneground
under your hands. Even here, though,
something can bloom; on a silent cliff-edge
an unknowing plant blooms, singing, into the air.
But the one who knows? Ah, he began to know
and is quiet now, exposed on the cliffs of the heart.
While, with their full awareness,
many sure-footed mountain animals pass


Eve

Simply she stands at the cathedral’s
great ascent, close to the rose window,
with the apple in the apple-pose,
guiltless-guilty once and for all

of the growing she gave birth to
since form the circle of eternities
loving she went forth, top struggle through
her way throughout the earth like a young year.

Ah, gladly yet a little in that land
Would she have lingered, heeding the harmony
And understanding of the animals.

But since she found the man determined,


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