autumn

Go not away, thou weary soul:
Heaven has in store a precious dole
Here on Bethsaida's cold and darksome height,
Where over rocks and sands arise
Proud Sirion in the northern skies,
And Tabor's lonely peak, 'twixt thee and noonday light.

And far below, Gennesaret's main
Spreads many a mile of liquid plain,
(Though all seem gathered in one eager bound,)
Then narrowing cleaves you palmy lea,
Towards that deep sulphureous sea,
Where five proud cities lie, by one dire sentence drowned.

All the snows have fled, and grass springs up on the meadows,
And there are leaves on the trees;
Earth has changed her looks, and turbulent rivers decreasing,
Slowly meander along;
Now, with the naked nymphs and her own twin sisters, Aglaïa
Gracefully dances in time.
But the Year, and the Hours which hurry along our existence,
Solemnly warn us to die.
Zephyr removes the frost, and Summer, soon destined to perish,
Treads in the footsteps of Spring,
After the joyous reign of Autumn, abounding in apples,

I was welcomed here—clear gold
of late summer, of opening autumn,
the dawn eagle sunning himself on the highest tree,
the mountain revealing herself unclouded, her snow
tinted apricot as she looked west,
Tolerant, in her steadfastness, of the restless sun
forever rising and setting.
Now I am given
a taste of the grey foretold by all and sundry,
a grey both heavy and chill. I've boasted I would not care,
I'm London-born. And I won't. I'll dig in,
into my days, having come here to live, not to visit.

Lo! a ripe sheaf of many golden days
Gleaned by the year in autumn's harvest ways,
With here and there, blood-tinted as an ember,
Some crimson poppy of a late delight
Atoning in its splendor for the flight
Of summer blooms and joys­
This is September.

These quiet Autumn days,
My soul, like Noah's dove, on airy wings
Goes out and searches for the hidden things
Beyond the hills of haze.

With mournful, pleading cries,
Above the waters of the voiceless sea
That laps the shore of broad Eternity,
Day after day, it flies,

Searching, but all in vain,
For some stray leaf that it may light upon,
And read the future, as the days agone -
Its pleasures, and its pain.

Listening patiently
For some voice speaking from the mighty deep,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

The clouds that wrap the setting sun
When Autumn's softest gleams are ending,
Where all bright hues together run
In sweet confusion blending: -
Why, as we watch their floating wreath
Seem they the breath of life to breathe?
To Fancy's eye their motions prove
They mantle round the Sun for love.

When up some woodland dale we catch
The many-twinkling smile of ocean,
Or with pleased ear bewildered watch
His chime of restless motion;
Still as the surging waves retire

"On the departure of rainy season bechanced is autumn with a heart-pleasingly bloomed lotus as her face, betokening the heart-pleasing face of a new bride, and the autumnal fields of white grass with whitish flowers as her apparel, which betoken the whitish bridal apparel of a new bride, and the amorously clucking clucks of swans that have just returned from Lake Maanasa as rains have gone, are the jingling anklets of autumn, which betoken the delightful jingles of anklets of new bride, and now the rice is ready to ripe and thus the tenuous stalks of rice, which have their necks a little be

Wouldst thou the blossoms of spring, as well as the fruits of the autumn,
Wouldst thou what charms and delights, wouldst thou what plenteously, feeds,
Would thou include both Heaven and earth in one designation,
All that is needed is done, when I Sakontala name.

The spacious open vale, the vale of doom,
Is full of autumn sunset; blue and strong
The semicirque of water sweeps among
Her lofty acres, each a martyr's tomb;
And slowly, slowly, melt into the gloom
Two little idling clouds, that look for long
Like roseleaf bodies of two babes in song
Correggio left to flush a convent room.

Dear hill deflowered in the frantic war!
In my day, rather, have I seen thee blest
With pastoral roofs to break the darker crest
Of apple-woods by many-islèd Loire,