beauty

-- -- Honos erit huic quoq; Pomo? Virg.


What Soil the Apple loves, what Care is due
To Orchats, timeliest when to press the Fruits,
Thy Gift, Pomona, in Miltonian Verse
Adventrous I presume to sing; of Verse
Nor skill'd, nor studious: But my Native Soil
Invites me, and the Theme as yet unsung.

Ye Ariconian Knights, and fairest Dames,
To whom propitious Heav'n these Blessings grants,
Attend my Layes; nor hence disdain to learn,

[Inscribed to Her Grace the Duchess of Devonshire.]


CLOSE in a woodbine's tangled shade,
The BLOOMING GOD asleep was laid;
His brows with mossy roses crown'd;
His golden darts lay scatter'd round;
To shade his auburn, curled head,
A purple canopy was spread,
Which gently with the breezes play'd,
And shed around a soften'd shade.
Upon his downy smiling cheek,
Adorned with many a "dimple sleek,"
Beam'd glowing health and tender blisses,
His coral lip which teem'd with kisses

The dews of summer nighte did falle,
The moone (sweete regente of the skye)
Silver'd the walles of Cumnor Halle,
And manye an oake that grewe therebye.

Nowe noughte was hearde beneath the skies,
(The soundes of busye lyfe were stille,)
Save an unhappie ladie's sighes,
That issued from that lonelye pile.

"Leicester," shee cried, "is thys thy love
That thou so oft has sworne to mee
To leave mee in thys lonelye grove,
Immurr'd in shameful privitie?

"No more thou com'st with lover's speede,

"Please, lady! please pay my Ma for her sewing;
The suit fits you splendidly--that you'll allow.
Oh! don't say tomorrow! I see you are going;
But this will not hinder long--please pay me now.
Ma work'd all night for you! ev'ry minute;
Now she lies groaning with pain in her head;
And there by the pantry (with not a thing in it),
Sits poor little Theodore crying for bread!
Poor little Theodore crying for bread!"

"On! driver, on! they have all gone before us,
And I will not be late at the ball," Beauty said;

I TWINED a wreath of heather white
To bind my lady’s hair,
And deemed her locks in even light
Would well the burden bear;
But when I saw the tresses brown,
And found the face so fair,
I tore the wreath, and left the crown
Of beauty only there.

Of Cora, once so dearly ours,
Would mournful memory sing;
Of how she came when came the flowers,
To leave us with the spring.
That day (returned) which gave her breath
Was that whereon she died,
And o’er the pangs of birth and death
Passed blooming as a bride.

The spring it came, with never a storm,
And nine times came and went,
Till its whole spirit with her form
In budding beauty blent.

Yea, till its sentiment was wreathed
About her eye it came,

Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:

Reason will not decide at last; the sword will decide.
The sword: an obsolete instrument of bronze or steel,
formerly used to kill men, but here
In the sense of a symbol. The sword: that is: the storms
and counter-storms of general destruction; killing
of men,
Destruction of all goods and materials; massacre, more or
less intentional, of children and women;
Destruction poured down from wings, the air made accomplice,
the innocent air
Perverted into assasin and poisoner.

Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth

'Attar began The Conference of the Birds (Mantiq al-tair) with an invocation praising the holy Creator in which he suggested that one must live a hundred lives to know oneself; but you must know God by the deity, not by yourself, for God opens the way, not human wisdom. 'Attar believed that God is beyond all human knowledge. The soul will manifest itself when the body is laid aside. One cannot gain spiritual knowledge without dying to all things. When the birds assemble, they wonder why they have no king.