Out upon the sand-dunes thrive the coarse long grasses;
Herons standing knee-deep in the brackish pool;
Overhead the sunset fire and flame amasses
And the moon to eastward rises pale and cool.
Rose and green around her, silver-gray and pearly,
Chequered with the black rooks flying home to bed;
For, to wake at daybreak, birds must couch them early:
And the day's a long one since the dawn was red.

On the chilly lakelet, in that pleasant gloaming,
See the sad swans sailing: they shall have no rest:

In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .

Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,

DRINK of our Cup--of the red wine that burns in it,
All the wild shames that have crusted its mouth,
Passion that twists in it, Madness that churns in it,
Fever that yearns in it, Folly that turns in it,
Drink of our Cup! It is Love, it is Youth!

"Amorous valleys have travailed to breed in it,
Eden hath shaken one tree at its brim,
Syria scattered an infamous seed in it,
Paphos hath freed in it lovers, to bleed in it,
Foam from Armida hath rusted its rim!

Chalice of gold with the bruised roses dying there,

The Caverns of the Grave I've seen,
And these I show'd to England's Queen.
But now the Caves of Hell I view,
Who shall I dare to show them to?
What mighty soul i 362 n Beauty's form
Shall dauntless view the infernal storm?
Egremont's Countess can control
The flames of Hell that round me roll;
If she refuse, I still go on
Till the Heavens and Earth are gone,
Still admir'd by noble minds,
Follow'd by Envy on the winds,
Re-engrav'd time after time,
Ever in their youthful prime,
My designs unchang'd remain.

I rose at night and visited
The Cave of the Unborn,
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To speed their advent morn.

Their eyes were lit with artless trust;
Hope thrilled their every tone:
"A place the loveliest, is it not?
A pure delight, a beauty-spot
Where all is gentle, pure and just
And ??violence?? is unknown?"

My heart was anguished for their sake;
I could not frame a word;
But they descried my sunken face
And seemed to read therein, and trace

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,

See, as the carver carves a rose,
A wing, a toad, a serpent's eye,
In cruel granite, to disclose
The soft things that in hardness lie,
So this one, taking up his heart,
Which time and change had made a stone,
Carved out of it with dolorous art,
Laboring yearlong and alone,
The thing there hidden—rose, toad, wing?
A frog's hand on a lily pad?
Bees in a cobweb?—no such thing!
A girl's head was the thing he had,
Small, shapely, richly crowned with hair,
Drowsy, with eyes half closed, as they
Looked through you and beyond you, clear

The summer dawn came over-soon,
The earth was like hot iron at noon
In Nazareth;
There fell no rain to ease the heat,
And dusk drew on with tired feet
And stifled breath.

The shop was low and hot and square,
And fresh-cut wood made sharp the air,
While all day long
The saw went tearing thru the oak
That moaned as tho' the tree's heart broke
Beneath its wrong.

The narrow street was full of cries,
Of bickering and snarling lies
In many keys--
The tongues of Egypt and of Rome

Remember that object we saw, dear soul,
In the sweetness of a summer morn:
At a bend of the path a loathsome carrion
On a bed with pebbles strewn,

With legs raised like a lustful woman,
Burning and sweating poisons,
It spread open, nonchalant and scornful,
Its belly, ripe with exhalations.

The sun shone onto the rotting heap,
As if to bring it to the boil,
And tender a hundredfold to vast Nature
All that together she had joined;

And the sky watched that superb carcass
Like a flower blossom out.

'Twas near the Begum Kothie the battle began,
Where innocent blood as plentiful as water ran;
The Begum Kothie was a place of honour given to the 93rd,
Which heroically to a man they soon did begird.

And the 4th Punjaub Rifles were their companions in glory,
And are worthy of their names enrolled in story,
Because they performed prodigious wonders in the fight,
By killing and scattering the Sepoys left and right.

The 93rd Highlanders bivouacked in a garden surrounded by mud walls,