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The Bayadere

Flaked, drifting clouds hide not the full moon's rays
More than her beautiful bright limbs were hid
By the light veils they burned and blushed amid,
Skilled to provoke in soft, lascivious ways,
And there was invitation in her voice
And laughing lips and wonderful dark eyes,
As though above the gates of Paradise
Fair verses bade, Be welcome and rejoice!


O'er rugs where mottled blue and green and red
Blent in the patterns of the Orient loom,
Like a bright butterfly from bloom to bloom,

The Bard

Where dwells the spirit of the Bard--what sky
Persuades his daring wing,--
Folded in soft carnation, or in snow
Still sleeping, far o'er summits of the cloud,
And, with a seeming, sweet unconsciousness,
Wooing his plume, through baffling storms to fly,
Assured of all that ever yet might bless
The spirit, by love and loftiest hope made proud,
Would he but struggle for the dear caress!--
Or would his giant spring,
Impelled by holiest ire,
Assail the sullen summits of the storm,
Bent with broad breast and still impatient form,

The Ballad of Dead Ladies

Tell me now in what hidden way is
Lady Flora the lovely Roman?
Where's Hipparchia, and where is Thais,
Neither of them the fairer woman?
Where is Echo, beheld of no man,
Only heard on river and mere--
She whose beauty was more than human?--
But where are the snows of yester-year?

Where's Heloise, the learned nun,
For whose sake Abeillard, I ween,
Lost manhood and put priesthood on?
(From Love he won such dule and teen!)
And where, I pray you, is the Queen
Who willed that Buridan should steer

The Baldness Of Chewed-Ear

When Chewed-ear Jenkins got hitched up to Guinneyveer McGee,
His flowin' locks, ye recollect, wuz frivolous an' free;
But in old Hymen's jack-pot, it's a most amazin' thing,
Them flowin' locks jest disappeared like snow-balls in the Spring;
Jest seemed to wilt an' fade away like dead leaves in the Fall,
An' left old Chewed-ear balder than a white-washed cannon ball.

Now Missis Chewed-ear Jenkins, that wuz Guinneyveer McGee,
Wuz jest about as fine a draw as ever made a pair;
But when the boys got joshin' an' suggested it was she

The Balcony

Mother of memories, mistress of mistresses,
O you, all my pleasures! O you, all my learning!
You will remember the joy of caresses,
the sweetness of home and the beauty of evening,
Mother of memories, mistress of mistresses!

On evenings lit by the glow of the ashes
and on the balcony, veiled, rose-coloured, misted,
how gentle your breast was, how good your heart to me!
We have said things meant for eternity,
on evenings lit by the glow of the ashes.

How lovely the light is on sultry evenings!

The Babylonian Captivity

By far Euphrates’ stream we state,
A weary band of herded slaves,
And over Judah’s fallen estate
We wept into the passing waves.

On willow-boughs that o’er us bent
Our once glad-sounding harps were hung,
That but the wild wind, as it went,
Might grieve their wailful chords among.

But they who spoiled us—even they
Who wasted us with daily wrongs,
To make them mirth did asking say:
“Come sing us one of Zion’s songs!”

How can with us the will remain
To strike the harp with fettered hand?

The Avaricious Wife And Tricking Gallant

WHO knows the world will never feel surprise,
When men are duped by artful women's eves;
Though death his weapon freely will unfold;
Love's pranks, we find, are ever ruled by gold.
To vain coquettes I doubtless here allude;
But spite of arts with which they're oft endued;
I hope to show (our honour to maintain,)
We can, among a hundred of the train,
Catch one at least, and play some cunning trick:--
For instance, take blithe Gulphar's wily nick,
Who gained (old soldier-like) his ardent aim,
And gratis got an avaricious dame.

The Author to the Reader

I sing the fortune of a luckless pair,
Whose spotless souls now in one body be;
For beauty still is Prodromus to care,
Crost by the sad stars of nativity:
And of the strange enchantment of a well,
Given by the Gods, my sportive muse doth write,
Which sweet-lipp'd Ovid long ago did tell,
Wherein who bathes, straight turns Hermaphrodite:
I hope my poem is so lively writ,
That thou wilt turn half-mad with reading it.

The Assignation

Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

Hush! what amidst the copses crept--

The Artist's Duty

So it is the duty of the artist to discourage all traces of shame
To extend all boundaries
To fog them in right over the plate
To kill only what is ridiculous
To establish problem
To ignore solutions
To listen to no one
To omit nothing
To contradict everything
To generate the free brain
To bear no cross
To take part in no crucifixion
To tinkle a warning when mankind strays
To explode upon all parties
To wound deeper than the soldier
To heal this poor obstinate monkey once and for all

To verify the irrational