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There once was a limpet puffed with pride
Who said to the ribald sea:
"It isn't I who cling to the rock,
It's the rock that clings to me;
It's the silly old rock who hugs me tight,
Because he loves me so;
And though I struggle with all my might,
He will not let me go."

Then said the sea, who hates the rock
That defies him night and day:
"You want to be free - well, leave it to me,
I'll help you get away.
I know such a beautiful silver beach,
Where blissfully you may bide;

I saw a Priest in beetle black
Come to our golden beach,
And I was taken sore aback
Lest he should choose to preach
And chide me for my only wear,
A "Gee" string and a brassière.

And then I saw him shyly doff
And fold his grim soutane,
And one by one his clothes take off,
Until like any man
He stood in bathing trunks, a sight
To thrill a maiden with delight.

For he was framed and fashioned like
Apollo Belvedere;
I felt my heart like cymbal strike
Beneath my brassière.

I heard or seemed to hear the chiding Sea
Say, Pilgrim, why so late and slow to come?
Am I not always here, thy summer home?
Is not my voice thy music, morn and eve?
My breath thy healthful climate in the heats,
My touch thy antidote, my bay thy bath?
Was ever building like my terraces?
Was ever couch magnificent as mine?
Lie on the warm rock-ledges, and there learn
A little hut suffices like a town.
I make your sculptured architecture vain,
Vain beside mine. I drive my wedges home,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

"And is there in God's world so drear a place
Where the loud bitter cry is raised in vain?
Where tears of penance come too late for grace,
As on the uprooted flower the genial rain?"

'Tis even so: the sovereign Lord of souls
Stores in the dungeon of His boundless realm
Each bolt that o'er the sinner vainly rolls,
With gathered wrath the reprobate to whelm.

Will the storm hear the sailor's piteous cry,
Taught so mistrust, too late, the tempting wave,
When all around he sees but sea and sky,

The clouds that wrap the setting sun
When Autumn's softest gleams are ending,
Where all bright hues together run
In sweet confusion blending: -
Why, as we watch their floating wreath
Seem they the breath of life to breathe?
To Fancy's eye their motions prove
They mantle round the Sun for love.

When up some woodland dale we catch
The many-twinkling smile of ocean,
Or with pleased ear bewildered watch
His chime of restless motion;
Still as the surging waves retire

O academic muse that hast for long
Charmed all the world with thy disciples’ song,
As myrtle bushes must give place to trees,
Our humbler strains can now no longer please.
Look down for once, inspire me in these lays.
In lofty verse to sing our Rector's praise.

The mighty wheel of Time to light has rolled
That golden age by ancient bards foretold.
Minerva now descends upon our land,
And scatters knowledge with unsparing hand;
Long since Ulysses saw the heavenly maid,

Would we but love what will not pass away!
The sun that on each morning shines as clear
As when it rose first on the world's first year;
The fresh green leaves that rustle on the spray.
The sun will shine, the leaves will be as gay
When graves are full of all our hearts held dear,
When not a soul of those who loved us here,
Not one, is left us--creatures of decay.

Yea, love the Abiding in the Universe
Which was before, and will be after us.
Nor yet for ever hanker and vainly cry

Thou whose spell can raise the dead,
Bid the prophet's form appear.
'Samuel, raise thy buried head!
King, behold the phantom seer!'

Earth yawn'd; he stood the centre of a cloud:
Light changed its hue, retiring from his shroud.
Death stood all glassy in his fixed eye:
His hand was wither'd, and his veins were dry;
His foot, in bony whiteness, glitter'd there,
Shrunken and sinewless, and ghastly bare;
From lips that moved not and unbreathing frame,
Like cavern'd winds, the hollow acccents came.

The city is closing for the night.
Stores draw their blinds one by one,
and it's dark again, save for the dim

infrequent streetlight bending at the neck
like a weighted stem. Years have built
the city in layers: balustrades filled in

with brick, adobe reinforced with steel,
and the rounded arches smoothed
with white cement. Neighborhoods

have changed the burro trails
to streets, bare at night—
no pedestrians, no cars, no dogs.

With daylight, the houses turned galleries