Are they blue, gray or green? Mysterious eyes
(as if in fact you were looking through a mist)
in alternation tender, dreamy, grim
to match the shiftless pallor of the sky.

That's what you're like- these warm white afternoons
which make the ravished heart dissolve in tears,
the nerves, inexplicably overwrought,
outrage the dozing mind.

Not always, though-sometimes
you're like the horizon when the sun
ignites our cloudy autumn-how you glow!
A sodden countryside in sudden rout,
turned incandescent by a changing wind.

Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell me the tale of your lonely life
'Mid the great grey forests that know no change.
"I never have left my home," she said,
"I have never been over the Moonbi Range.
"Father and mother are long since dead,
And I live with granny in yon wee place."
"Where are your father and mother?" I said.
She puzzled awhile with thoughtful face,
Then a light came into the shy brown face,

I see, as one in dreaming,
   A broad, bright, quiet sea;
Beyond it lies a haven --
   The only home for me.
Some men grow strong with trouble,
   But all my strength is past,
And tired and full of sorrow,
   I long to sleep at last.
By force of chance and changes
   Man's life is hard at best;
And, seeing rest is voiceless,
   The dearest thing is rest.

Beyond the sea -- behold it,
   The home I wish to seek,

Thrones, Powers, Dominions, Peoples, Kings,
Are changing 'neath our hand.
Our fathers also see these things
But they do not understand.

By--they are by with mirth and tears,
Wit or the works of Desire-
Cushioned about on the kindly years
Between the wall and the fire.

The grapes are pressed, the corn is shocked--
Standeth no more to glean;
For the Gates of Love and Learning locked
When they went out between.

All lore our Lady Venus bares,
Signalled it was or told
By the dear lips long given to theirs

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,
That made the great caves ring,

Only serpents let their skin be fallen
And a soul -- all grown up and old.
We, alas, change an eternal soul,
Leaving body in eternal hold.

Oh, remembrance, power, she-giant,
You direct a horse-life with a bridle,
You will tell me all these men about,
Who had had my body before I'd.

The first one was ugly, thin and tragic,
Loving darkness of the garden lane,
Falling Leaf, the child of gloomy magic,
Whose one word could fully stop the rain.

Second one -- he liked the wind from South,

Only a dancing girl,
With an unromantic style,
With borrowed colour and curl,
With fixed mechanical smile,
With many a hackneyed wile,
With ungrammatical lips,
And corns that mar her trips.

Hung from the "flies" in air,
She acts a palpable lie,
She's as little a fairy there
As unpoetical I!
I hear you asking, Why -
Why in the world I sing
This tawdry, tinselled thing?

No airy fairy she,
As she hangs in arsenic green
From a highly impossible tree
In a highly impossible scene
(Herself not over-clean).

Once more I put my bonnet on,
And tie the ribbons blue,
My showy poplin dress I don,
That's just as good as new,
And smooth and stately as a swan
Go sailing to my pew.
Once more, Ah! me, how oft, how oft,
Shall I the scene repeat?
With graceful ease and manner soft
I sink into my seat,
And round the congregation waft
The sense of odors sweet.

A finer form, a fairer face
Ne'er bent before the stole,
With more restraint, no spotless lace
Did firmer orbs control,

Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down. The worst part is this
is not from a bad movie. I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change." A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible. I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
the amazed owner actually proclaimed

LINES PROVOKED BY HEARING A YOUNG MAN WHISTLING

No carmine radical in Art,
I worship at the shrine of Form;
Yet open are my mind and heart
To each departure from the norm.
When Post-Impressionism emerged,
I hesitated but a minute
Before I saw, though it diverged,
That there was something healthy in it.

And eke when Music, heavenly maid,
Undid the chains that chafed her feet,
I grew to like discordant shade--
Unharmony I thought was sweet.
When verse divorced herself from sound,