Oh, Banquet Not

Oh, banquet not in those shining bowers,
Where Youth resorts, but come to me,
For mine's a garden of faded flowers,
More fit for sorrow, for age, and thee.
And there we shall have our feast of tears,
And many a cup in silence pour;
Our guests, the shades of former years,
Our toasts, to lips that bloom no more.

There, while the myrtle's withering boughs
Their lifeless leaves around us shed,
We'll brim the bowl to broken vows
To friends long lost, the changed, the dead.


Off Shore

Rock, little boat, beneath the quiet sky,
Only the stars behod us where we lie, -
Only the stars and yonder brightening moon

On the wide sea to-night alone are we;
The sweet, bright summer day dies silently,
Its glowing sunset will have faded soon.

Rock softly, little boat, the while I mark
The far off gliding sails, distinct and dark,
Across the west pass steadily and slow.

But on the eastern waters sad, they change
And vanish, dream-like, gray, and cold, and strange


Of Three Or Four In The Room

Out of three or four in the room
One is always standing at the window.
Forced to see the injustice amongst the thorns,
The fires on the hills.

And people who left whole
Are brought home in the evening, like small change.

Out of three or four in the room
One is always standing at the window.
Hair dark above his thoughts.
Behind him, the words, wandering, without luggage,
Hearts without provision, prophecies without water
Big stones put there
Standing, closed like letters


Of Taking things Easy

TELL me what boots to battle, when the end
Is foreseen failure? What, by heaven, I ask—
By bearded martyrs, and the holy cask
Of papal comfort, what can struggle lend
Of true nobility to those who bend
Constrainèd after all? ’Twere better bask
With resignation and a quiet flask
Than rush to strokes that heaven will surely send.

Methinks the base desire to change our stars
Is but the taint of old mortality,
And as the wavelet curls in every sea


Ode On The Insurrection In Candia

STR. 1

I laid my laurel-leaf
At the white feet of grief,
Seeing how with covered face and plumeless wings,
With unreverted head
Veiled, as who mourns his dead,
Lay Freedom couched between the thrones of kings,
A wearied lion without lair,
And bleeding from base wounds, and vexed with alien air.

STR. 2

Who was it, who, put poison to thy mouth,
Who lulled with craft or chant thy vigilant eyes,
O light of all men, lamp to north and south,


Ode to Duty

Stern Daughter of the Voice of God!
O Duty! if that name thou love,
Who art a light to guide, a rod
To check the erring and reprove;
Thou, who art victory and law
When empty terrors overawe;
From vain temptations dost set free;
And calm'st the weary strife of frail humanity!

There are who ask not if thine eye
Be on them; who, in love and truth,
Where no misgiving is, rely
Upon the genial sense of youth:
Glad hearts! without reproach or blot;
Who do thy work, and know it not:
O, if through confidence misplaced


October, 1803

. These times strike monied worldlings with dismay:
Even rich men, brave by nature, taint the air
With words of apprehension and despair:
While tens of thousands, thinking on the affray,
Men unto whom sufficient for the day
And minds not stinted or untilled are given,
Sound, healthy, children of the God of heaven,
Are cheerful as the rising sun in May.
What do we gather hence but firmer faith
That every gift of noble origin
Is breathed upon by Hope's perpetual breath;


Of Moses And His Wife

This Moses was a fair and comely man,
His wife a swarthy Ethiopian;
Nor did his milk-white bosom change her sin.
She came out thence as black as she went in.
Now Moses was a type of Moses' law,
His wife likewise of one that never saw
Another way unto eternal life;
There's mystery, then, in Moses and his wife.
The law is very holy, just, and good,
And to it is espoused all flesh and blood;
But this its goodness it cannot bestow
On any that are wedded thereunto.
Therefore as Moses' wife came swarthy in,


Of Modern Poetry

The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.

It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and


Of Love To God

When I do this begin to apprehend,
My heart, my soul, and mind, begins to bend

To God-ward, and sincerely for to love
His son, his ways, his people, and to move

With brokenness of spirit after him
Who broken was, and killed for my sin.

Now is mine heart grown holy, now it cleaves
To Jesus Christ my Lord, and now it leaves

Those ways that wicked be; it mourns because
It can conform no more unto the laws

Of God, who loved me when I was vile,
And of sweet Jesus, who did reconcile


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