I never kill a fly because
I think that what we have of laws
To regulate and civilize
Our daily life - we owe to flies.
II
Apropos, I'll tell you of Choo, the spouse
Of the head of the hunters, Wung;
Such a beautiful cave they had for a house,
And a brood of a dozen young.
And Wung would start by the dawn's red light
On the trailing of bird or beast,
And crawl back tired on the brink of night
With food for another feast.
III
Then the young would dance in their naked glee,
And Choo would fuel the fire;

Because I have ten thousand pounds I sit upon my stern,
And leave my living tranquilly for other folks to earn.
For in some procreative way that isn't very clear,
Ten thousand pounds will breed, they say, five hundred every year.
So as I have a healthy hate of economic strife,
I mean to stand aloof from it the balance of my life.
And yet with sympathy I see the grimy son of toil,
And heartly congratulate the tiller of the soil.
I like the miner in the mine, the sailor on the sea,
Because up to five hundred pounds they sail and mine for me.

Iron growing in the dark,
it dreams all night long
and will not work. A flower
that hates God, a child
tearing at itself, this one
closes on nothing.

Friday, late,
Detroit Transmission. If I live
forever, the first clouded light
of dawn will flood me
in the cold streams
north of Pontiac.

It opens and is no longer.
Bud of anger, kinked
tendril of my life, here
in the forged morning
fill with anything -- water,
light, blood -- but fill.

"Angel of wrath! why linger in mid-air,
While the devoted city's cry
Louder and louder swells? and canst thou spare,
Thy full-charged vial standing by?"
Thus, with stern voice, unsparing Justice pleads:
He hears her not--with softened gaze
His eye is following where sweet Mercy leads,
And till she give the sign, his fury stays.

Guided by her, along the mountain road,
Far through the twilight of the morn,
With hurried footsteps from the accursed abode
He sees the holy household borne;
Angels, or more, on either hand are nigh,

Cool black night thru redwoods
cars parked outside in shade
behind the gate, stars dim above
the ravine, a fire burning by the side
porch and a few tired souls hunched over
in black leather jackets. In the huge
wooden house, a yellow chandelier
at 3 A.M. the blast of loudspeakers
hi-fi Rolling Stones Ray Charles Beatles
Jumping Joe Jackson and twenty youths
dancing to the vibration thru the floor,
a little weed in the bathroom, girls in scarlet
tights, one muscular smooth skinned man
sweating dancing for hours, beer cans

A clergyman in Berkshire dwelt,
The REVEREND BERNARD POWLES,
And in his church there weekly knelt
At least a hundred souls.

There little ELLEN you might see,
The modest rustic belle;
In maidenly simplicity,
She loved her BERNARD well.

Though ELLEN wore a plain silk gown
Untrimmed with lace or fur,
Yet not a husband in the town
But wished his wife like her.

Though sterner memories might fade,
You never could forget
The child-form of that baby-maid,
The Village Violet!

A simple frightened loveliness,

A millionbillionwillion miles from home
Waiting for the bell to go. (To go where?)
Why are they all so big, other children?
So noisy? So much at home they
Must have been born in uniform
Lived all their lives in playgrounds
Spent the years inventing games
That don't let me in. Games
That are rough, that swallow you up.

And the railings.
All around, the railings.
Are they to keep out wolves and monsters?
Things that carry off and eat children?
Things you don't take sweets from?
Perhaps they're to stop us getting out

FIRST

Be it a girl, or one of the boys,
It is scarlet all over its avoirdupois,
It is red, it is boiled; could the obstetrician
Have possibly been a lobstertrician?
His degrees and credentials were hunky-dory,
But how's for an infantile inventory?
Here's the prodigy, here's the miracle!
Whether its head is oval or spherical,
You rejoice to find it has only one,
Having dreaded a two-headed daughter or son;
Here's the phenomenon all complete,
It's got two hands, it's got two feet,
Only natural, but pleasing, because

Perhaps it's no more than the fire's reflection
on some piece of gleaming furniture
that the child remembers so much later
like a revelation.

And if in his later life, one day
wounds him like so many others,
it's because he mistook some risk
or other for a promise.

Let's not forget the music, either,
that soon had hauled him
toward absence complicated
by an overflowing heart....


Translated by A. Poulin

Now it's over, and now it's done;
Why does everything look the same?
Just as bright, the unheeding sun, --
Can't it see that the parting came?
People hurry and work and swear,
Laugh and grumble and die and wed,
Ponder what they will eat and wear, --
Don't they know that our love is dead?

Just as busy, the crowded street;
Cars and wagons go rolling on,
Children chuckle, and lovers meet, --
Don't they know that our love is gone?
No one pauses to pay a tear;
None walks slow, for the love that's through, --