dance

An Epithaliamium

So Man, grown vigorous now,
Holds himself ripe to breed,
Daily devises how
To ejaculate his seed
And boldly fertilize
The black womb of the unconsenting skies.

Some now alive expect
(I am told) to see the large,
Steel member grow erect,
Turgid with the fierce charge
Of our whole planet's skill,
Courage, wealth, knowledge, concentrated will,

Straining with lust to stamp
Our likeness on the abyss-

LO here a little volume, but great Book
A nest of new-born sweets;
Whose native fires disdaining
To ly thus folded, and complaining
Of these ignoble sheets,
Affect more comly bands
(Fair one) from the kind hands
And confidently look
To find the rest
Of a rich binding in your Brest.
It is, in one choise handfull, heavenn; and all
Heavn’s Royall host; incamp’t thus small
To prove that true schooles use to tell,
Ten thousand Angels in one point can dwell.

Ay, lay him 'neath the Simla pine --
A fortnight fully to be missed,
Behold, we lose our fourth at whist,
A chair is vacant where we dine.

His place forgets him; other men
Have bought his ponies, guns, and traps.
His fortune is the Great Perhaps
And that cool rest-house down the glen,

Whence he shall hear, as spirits may,
Our mundance revel on the height,
Shall watch each flashing 'rickshaw-light
Sweep on to dinner, dance, and play.

Benmore shall woo him to the ball

After the whipping he crawled into bed,
Accepting the harsh fact with no great weeping.
How funny uncle's hat had looked striped red!
He chuckled silently. The moon came, sweeping
A black, frayed rag of tattered cloud before
In scorning; very pure and pale she seemed,
Flooding his bed with radiance. On the floor
Fat motes danced. He sobbed, closed his eyes and dreamed.

Warm sand flowed round him. Blurts of crimson light
Splashed the white grains like blood. Past the cave's mouth

What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along

Dipping our bread in oil tins
we talked of morning peeling
open our rooms to a moment
of almonds, olives and wind
when we did not yet know what we were.
The days in Mallorca were alike:
footprints down goat-paths
from the beds we had left,
at night the stars locked to darkness.
At that time we were learning
to dance, take our clothes
in our fingers and open
ourselves to their hands.
The veranera was with us.
For a month the almond trees bloomed,
their droppings the delicate silks

Don't look.
The world's about to break.

Don't look.
The world's about to chuck out all its light
and stuff us in the chokepit of its dark,
That black and fat suffocated place
Where we will kill or die or dance or weep
Or scream of whine or squeak like mice
To renegotiate our starting price.

On the sunset borders of the mountains I stray,
Of a dear home dreaming 'yond the snow peaks far away,
While the bubbling brook beside me goes dancing along,
As it seeks the "Golden Gate" of the ocean blue;
And a lone bird murmurs in the bush-top his song--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

Tra la la la, la la la la
From mate to mate the carol rings:
Tra la la la, la la la la!
la la la la
A thousand valleys through;
Yet the lone bird sorrows as he plaintively sings--

And still they come and go: and this is all I know—
That from the gloom I watch an endless picture-show,
Where wild or listless faces flicker on their way,
With glad or grievous hearts I’ll never understand
Because Time spins so fast, and they’ve no time to stay
Beyond the moment’s gesture of a lifted hand.

And still, between the shadow and the blinding flame,
The brave despair of men flings onward, ever the same
As in those doom-lit years that wait them, and have been...

A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,