A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,

O WHAT a plague is love!
   How shall I bear it?
She will inconstant prove,
   I greatly fear it.
She so torments my mind
   That my strength faileth,
And wavers with the wind
   As a ship saileth.
Please her the best I may,
She loves still to gainsay;
Alack and well-a-day!
   Phillada flouts me.

At the fair yesterday
   She did pass by me;
She look'd another way
   And would not spy me:

If you're off to Philadelphia in the morning,
You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of,
And all the folk I write about have died.
Now few will understand if you mention Talleyrand,
Or remember what his cunning and his skill did;
And the cabmen at the wharf do not know Count Zinzendorf,
Nor the Church in Philadelphia he builded.

It is gone, gone, gone with lost Atlantis,
(Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see,

She was a phantom of delight
When first she gleam'd upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;

The sea coast of Bohemia
Is pleasant to the view
When singing larks spring from the grass
To fade into the blue,
And all the hawthorn hedges break
In wreaths of purest snow,
And yellow daffodils are out,
And roses half in blow.

The sea-coast of Bohemia
Is sad as sad can be,
The prince has ta’en our flower of maids
Across the violet sea;
Our Perdita has gone with him,
No more we dance the round
Upon the green in joyous play,
Or wake the tabor’s sound.

The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored." Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull

for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely. He finds my
secrets common and my sex

neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on

Yes, I know, this is nothing but thy love,
O beloved of my heart---this golden light that dances upon the leaves,
these idle clouds sailing across the sky,
this passing breeze leaving its coolness upon my forehead.

The morning light has flooded my eyes---this is thy message to my heart.
Thy face is bent from above, thy eyes look down on my eyes,
and my heart has touched thy feet.

A proud Pasha was BAILEY BEN,
His wives were three, his tails were ten;
His form was dignified, but stout,
Men called him "Little Roundabout."

HIS IMPORTANCE

Pale Pilgrims came from o'er the sea
To wait on PASHA BAILEY B.,
All bearing presents in a crowd,
For B. was poor as well as proud.

HIS PRESENTS

They brought him onions strung on ropes,
And cold boiled beef, and telescopes,
And balls of string, and shrimps, and guns,
And chops, and tacks, and hats, and buns.

MORE OF THEM

First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight. . . .


Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,


And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair

Man, I suck me tooth when I hear
How dem croptime fiddlers lie,
And de wailing, kiss-me-arse flutes
That bring water to me eye!
Oh, when I t'ink how from young
I wasted time at de fetes,
I could bawl in a red-eyed rage
For desire turned to regret,
Not knowing the truth that I sang
At parang and la commette.
Boy, every damned tune them tune
Of love that go last forever
Is the wax and the wane of the moon
Since Adam catch body-fever.

I old, so the young crop won't
Have these claws to reap their waist,