A Fantasy

Her voice is like clear water
That drips upon a stone
In forests far and silent
Where Quiet plays alone.

Her thoughts are like the lotus
Abloom by sacred streams
Beneath the temple arches
Where Quiet sits and dreams.

Her kisses are the roses
That glow while dusk is deep
In Persian garden closes
Where Quiet falls asleep.


What Do I Care

What do I care, in the dreams and the languor of spring,
That my songs do not show me at all?
For they are a fragrance, and I am a flint and a fire,
I am an answer, they are only a call.

But what do I care, for love will be over so soon,
Let my heart have its say and my mind stand idly by,
For my mind is proud and strong enough to be silent,
It is my heart that makes my songs, not I.


A Beautiful Young Nymph Going To Bed

Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,


A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast, with a large square sail hiding a great deal of the sky and sea on that side. The tiller is at the left of the stage; it is a long oar coming through an opening in the bulwark. The deck rises in a series of steps hehind the tiller, and the stern of the ship curves overhead. When the play opens there are four persons upon the deck. Aibric stands by the tiller. Forgael sleeps upon the raised portion of the deck towards the front of the stage. Two Sailors are standing near to the mast, on which a harp is hanging.


A Dialog

I.

Death, if thou wilt, fain would I plead with thee:
Canst thou not spare, of all our hopes have built,
One shelter where our spirits fain would be,
Death, if thou wilt?

No dome with suns and dews impearled and gilt,
Imperial: but some roof of wildwood tree,
Too mean for sceptre's heft or swordblade's hilt.

Some low sweet roof where love might live, set free
From change and fear and dreams of grief or guilt;
Canst thou not leave life even thus much to see,
Death, if thou wilt?

II.


A Channel Crossing

Forth from Calais, at dawn of night, when sunset summer on autumn shone,
Fared the steamer alert and loud through seas whence only the sun was gone:
Soft and sweet as the sky they smiled, and bade man welcome: a dim sweet hour
Gleamed and whispered in wind and sea, and heaven was fair as a field in flower,
Stars fulfilled the desire of the darkling world as with music: the star-bright air
Made the face of the sea, if aught may make the face of the sea, more fair.


A Ballad of Dreamland

I hid my heart in a nest of roses,
Out of the sun's way, hidden apart;
In a softer bed than the soft white snow's is,
Under the roses I hid my heart.
Why would it sleep not? why should it start,
When never a leaf of the rose-tree stirred?
What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm seas dozes,
And the wind is unquieter yet than thou art.


A Canvas For A Crust

I

Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
II
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
III
He peddled paint from bar to bar;
From sordid rags a jewel shone,


A Farewell To C.E.G

My fairest child, I have no song to give you;
No lark could pipe in skies so dull and gray;
Yet, if you will, one quiet hint I'll leave you,
For every day.

I'll tell you how to sing a clearer carol
Than lark who hails the dawn or breezy down;
To earn yourself a purer poet's laurel
Than Shakespeare's crown.

Be good, sweet maid, and let who can be clever;
Do lovely things, not dream them, all day long;
And so make Life, and Death, and that For Ever,
One grand sweet song.


A Farewell

I

My fairest child, I have no song to give you;
No lark could pipe to skies so dull and grey:
Yet, ere we part, one lesson I can leave you
For every day.

II

Be good, sweet maid, and let who will be clever;
Do noble things, not dream them, all day long:
And so make life, death, and that vast for-ever
One grand, sweet song.


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