Fair Saxon, in my lover's creed,
My love were smaller than your meed,
And you might justly deem it slight,
As wanting truth as well as sight,
If, in that image which is shrined
Where thoughts are sacred, you could find
A single charm, or more or less,
Than you to all kind eyes possess.
To me, even in the happiest dreams,
Where, flushed with love's just dawning gleams,
My hopes their radiant wings unfurl,
You're but a simple English girl,
No fairer, grace for grace arrayed,
Than many a simple Southern maid;

PLAY me a march, low-ton’d and slow—a march for a silent tread,
Fit for the wandering feet of one who dreams of the silent dead,
Lonely, between the bones below and the souls that are overhead.

Here for a while they smil’d and sang, alive in the interspace,
Here with the grass beneath the foot, and the stars above the face,
Now are their feet beneath the grass, and whither has flown their grace?

Who shall assure us whence they come, or tell us the way they go?
Verily, life with them was joy, and, now they have left us, woe,

Chequer'd with woven shadows as I lay
Among the grass, blinking the watery gleam,
I saw an Echo-Spirit in his bay
Most idly floating in the noontide beam.
Slow heaved his filmy skiff, and fell, with sway
Of ocean's giant pulsing, and the Dream,
Buoyed like the young moon on a level stream
Of greenish vapour at decline of day,
Swam airily, watching the distant flocks
Of sea-gulls, whilst a foot in careless sweep
Touched the clear-trembling cool with tiny shocks,
Faint-circling; till at last he dropt asleep,

Let us put awhile away
All the cares of work-a-day,
For a golden time forget,
Task and worry, toil and fret,
Let us take a day to dream
In the meadow by the stream.

We may lie in grasses cool
Fringing a pellucid pool,
We may learn the gay brook-runes
Sung on amber afternoons,
And the keen wind-rhyme that fills
Mossy hollows of the hills.

Where the wild-wood whisper stirs
We may talk with lisping firs,
We may gather honeyed blooms
In the dappled forest glooms,
We may eat of berries red

Ho, a day
Whereon we may up and away,
With a fetterless wind that is out on the downs,
And there piping a call to the fallow and shore,
Where the sea evermore
Surgeth over the gray reef, and drowns
The fierce rocks with white foam;
It is ours with untired feet to roam
Where the pines in green gloom of wide vales make their murmuring home,
Or the pools that the sunlight hath kissed
Mirror back a blue sky that is winnowed of cloud and of mist!

Ho, a day
Whereon we may up and away
Through the orient distances hazy and pied,

No matter how serene things
may be in my life,
how well things are going,
my body and soul
are two cliff peaks
from which a dream of who I can be
falls, and I must learn
to fly again each day,
or die.

Death draws respect
and fear from the living.
Death offers
no false starts. It is not
a referee with a pop-gun
at the startling
of a hundred yard dash.

I do not live to retrieve
or multiply what my father lost
or gained.

I continually find myself in the ruins
of new beginnings,

Sweet dreams form a shade,
O'er my lovely infants head.
Sweet dreams of pleasant streams,
By happy silent moony beams

Sweet sleep with soft down.
Weave thy brows an infant crown.
Sweet sleep Angel mild,
Hover o'er my happy child.

Sweet smiles in the night,
Hover over my delight.
Sweet smiles Mothers smiles,
All the livelong night beguiles.

Sweet moans, dovelike sighs,
Chase not slumber from thy eyes,
Sweet moans, sweeter smiles,
All the dovelike moans beguiles.

Sleep sleep happy child,

A bird that I don't know,
Hunched on his light-pole like a scarecrow,
Looks sideways out into the wheat
The wind waves under the waves of heat.
The field is yellow as egg-bread dough
Except where (just as though they'd let
It live for looks) a locust billows
In leaf-green and shade-violet,
A standing mercy.
The bird calls twice, "Red clay, red clay";
Or else he's saying, "Directly, directly."
If someone came by I could ask,
Around here all of them must know --
And why they live so and die so --
Or why, for once, the lagging heron

High ’mid the shelves of a grey cliff, that yet
Riseth in Babylonian mass above,
In a benched cleft, as in the mouldered chair
Of grey-beard Time himself, I sit alone,
And gaze with a keen wondering happiness
Out o’er the sea. Unto the circling bend
That verges Heaven, a vast luminous plain
It stretches, changeful as a lover’s dream—
Into great spaces mapped by light and shade
In constant interchange—either ‘neath clouds
The billows darken, or they shimmer bright
In sunny scopes of measureless expanse.

High 'mid the shelves of a grey cliff, that yet
Riseth in Babylonian mass above,
In a benched cleft, as in the mouldered chair
Of grey-beard Time himself, I sit alone,
And gaze with a keen wondering happiness
Out o'er the sea. Unto the circling bend
That verges Heaven, a vast luminous plain
It stretches, changeful as a lover's dream --
Into great spaces mapped by light and shade
In constant interchange -- either 'neath clouds
The billows darken, or they shimmer bright
In sunny scopes of measureless expanse.