fear

O Hymen king.

Hymen, O Hymen king,
what bitter thing is this?
what shaft, tearing my heart?
what scar, what light, what fire
searing my eye-balls and my eyes with flame?
nameless, O spoken name,
king, lord, speak blameless Hymen.

Why do you blind my eyes?
why do you dart and pulse
till all the dark is home,
then find my soul
and ruthless draw it back?
scaling the scaleless,
opening the dark?
speak, nameless, power and might;
when will you leave me quite?

Fingal, returning from an expedition which he had made into the Roman province, resolved to visit Cathulla, king of Inistore, and brother to Comala, whose story is related at large in the preceding dramatic poem. Upon his coming in sight of Carric-thura, the palace of Cathulla, he observed a flame on its top, which, in those days, was a signal of distress. The wind drove him into a bay at some distance from Carric-thura, and he was obliged to pass the night on shore.

I

The despot treads thy sacred sands,
Thy pines give shelter to his bands,
Thy sons stand by with idle hands,
Carolina!
He breathes at ease thy airs of balm,
He scorns the lances of thy palm;
Oh! who shall break thy craven calm,
Carolina!
Thy ancient fame is growing dim,
A spot is on thy garment's rim;
Give to the winds thy battle hymn,
Carolina!

II

Call on thy children of the hill,
Wake swamp and river, coast and rill,

Edward Teach was a native of Bristol, and sailed from that port
On board a privateer, in search of sport,
As one of the crew, during the French War in that station,
And for personal courage he soon gained his Captain's approbation.

'Twas in the spring of 1717, Captajn Harnigold and Teach sailed from Providence
For the continent of America, and no further hence;
And in their way captured a vessel laden with flour,
Which they put on board their own vessels in the space of an hour.

I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd's fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd's note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun

Just as the name of the Virgin is beautiful to the virtuous,
so against evil doers it is mighty and fearful.
Concerning this, a miracle happened in the land of Catalonia to a minstrel who sang well, with grace and ease, earning a good living, he came to lodge in the house of a greedy knight
Just as the name of the Virgin is beautiful to the virtuous,
…

1 Ca' the yowes to the knowes,
2 Ca' them where the heather grows
3 Ca' them where the burnie rows,
4 My bonie dearie.

5 Hark! the mavis' evening sang
6 Sounding Cluden's woods amang,
7 Then a-fauldin let us gang,
8 My bonie dearie.

9 We'll gae down by Cluden side,
10 Thro' the hazels spreading wide,
11 O'er the waves that sweetly glide
12 To the moon sae clearly.

13 Yonder Cluden's silent towers,

If dogs could speak, O Mademoiselle,
What funny stories they could tell!
For instance, take your little "peke,"
How awkward if the dear could speak!
How sad for you and all of us,
Who round you flutter, flirt and fuss;
Folks think you modest, mild and meek . . .
But would they - if Fi-Fi could speak?
II
If dogs could tell, Ah Madame Rose,
What secrets could they not disclose!
If your pet poodle Angeline
Could hint at half of what she's seen,
Your reputation would, I fear,
As absolutely disappear

The diggings were just in their glory when Alister Cameron came,
With recommendations, he told me, from friends and a parson `at hame';
He read me his recommendations -- he called them a part of his plant --
The first one was signed by an Elder, the other by Cameron's aunt.
The meenister called him `ungodly -- a stray frae the fauld o' the Lord',
And his aunt set him down as a spendthrift, `a rebel at hame and abroad'.

He got drunk now and then and he gambled (such heroes are often the same);

Not though you die to-night, O Sweet, and wail,
A spectre at my door,
Shall mortal Fear make Love immortal fail --
I shall but love you more,
Who, from Death's House returning, give me still
One moment's comfort in my matchless ill.