Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.


Avis

With a golden rolling sound
Booming came a bell,
From the aery in the tower
Eagles fell;
So with regal wings
Hurled, and gleaming sound and power,
Sprang the fatal spell.

Ten a storm of burnished doves
Gleaming from the cote
Flurried by the almonry
O'er the moat,--
Fell and soared and fell
With the arc and iris eye
Burning breast and throat.

Avis heard the beaten bell
Break the quiet space,
Gathering softly in the room
Round her face;
And the sound of wings


Athabaska Dick

I

When the boys come out from Lac Labiche in the lure of the early Spring,
To take the pay of the "Hudson's Bay", as their fathers did before,
They are all a-glee for the jamboree, and they make the Landing ring
With a whoop and a whirl, and a "Grab your girl", and a rip and a skip and a roar.
For the spree of Spring is a sacred thing, and the boys must have their fun;
Packer and tracker and half-breed Cree, from the boat to the bar they leap;
And then when the long flotilla goes, and the last of their pay is done,


At The Parade

I

I cannot flap a flag
Or beat a drum;
Behind the mob I lag
With larynx dumb;
Alas! I fear I'm not
A Patriot.
II
With acrid eyes I see
The soul of things;
And equal unto me
Are cooks and kings;
I would not cross the street
A duke to meet.
III
Oh curse me for a fool
To be so proud;
To stand so still and cool
Amid the crowd.
For President or Peer
God, let me cheer!
IV


Autumn Perspective

Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the dirty ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day. . .
in ordering our lives, we will discard them,


Author's Prologue

This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away


Australian Scenery

The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.

A land where silence lies so deep that sound itself is dead


Attack On The Ad-Man

This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.

This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;


Attack

AT dawn the ridge emerges massed and dun
In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,


Atameros

The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;


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