Another

THIS little vault, this narrow room,
Of Love and Beauty is the tomb;
The dawning beam, that 'gan to clear
Our clouded sky, lies darken'd here,
For ever set to us: by Death
Sent to enflame the World Beneath.
'Twas but a bud, yet did contain
More sweetness than shall spring again;
A budding Star, that might have grown
Into a Sun when it had blown.
This hopeful Beauty did create
New life in Love's declining state;
But now his empire ends, and we
From fire and wounding darts are free;


Anonymous Drawing

A delicate young Negro stands
With the reins of a horse clutched loosely in his hands;
So delicate, indeed, that we wonder if he can hold the spirited creature
beside him
Until the master shall arrive to ride him.
Already the animal's nostrils widen with rage or fear.
But if we imagine him snorting, about to rear,
This boy, who should know about such things better than we,
Only stands smiling, passive and ornamental, in a fantastic livery
Of ruffles and puffed breeches,
Watching the artist, apparently, as he sketches.


Annie Protheroe. A Legend of Stratford-le-Bow

OH! listen to the tale of little ANNIE PROTHEROE.
She kept a small post-office in the neighbourhood of BOW;
She loved a skilled mechanic, who was famous in his day -
A gentle executioner whose name was GILBERT CLAY.

I think I hear you say, "A dreadful subject for your rhymes!"
O reader, do not shrink - he didn't live in modern times!
He lived so long ago (the sketch will show it at a glance)
That all his actions glitter with the lime-light of Romance.

In busy times he laboured at his gentle craft all day -


Annals of Assur-Nasir-Pal column I

To Ninip most powerful hero, great, chief of the gods, warrior, powerful Lord, whose onset in battle has not been opposed, eldest son,

crusher of opponents, first-born son of Nukimmut, supporter of the seven, noble ruler, King of the gods the producers, governor, he who rolls along the mass

of heaven and earth, opener of canals, treader of the wide earth, the god who in his divinity nourishes heaven and earth, the beneficent,


Animals Are Passing From Our Lives

It's wonderful how I jog
on four honed-down ivory toes
my massive buttocks slipping
like oiled parts with each light step.

I'm to market. I can smell
the sour, grooved block, I can smell
the blade that opens the hole
and the pudgy white fingers

that shake out the intestines
like a hankie. In my dreams
the snouts drool on the marble,
suffering children, suffering flies,

suffering the consumers
who won't meet their steady eyes
for fear they could see. The boy


An Horatian Ode Upon Cromwell's Return from Ireland

The forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.
'Tis time to leave the books in dust,
And oil th' unused armour's rust,
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through advent'rous war
Urged his active star:
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side


An Hymn Of Heavenly Beauty

Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.

Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show


An Ode, On the Death of Mr. Henry Purcell

Late Servant to his Majesty, and Organist of the Chapel Royal, and of St. Peter's Westminster

I

Mark how the Lark and Linnet Sing,
With rival Notes
They strain their warbling Throats,
To welcome in the Spring.
But in the close of Night,
When Philomel begins her Heav'nly lay,
They cease their mutual spite,
Drink in her Music with delight,
And list'ning and silent, and silent and list'ning,
And list'ning and silent obey.

II

So ceas'd the rival Crew when Purcell came,


An Upper Chamber

I CAME into the City and none knew me;
   None came forth, none shouted 'He is here!
Not a hand with laurel would bestrew me,
   All the way by which I drew anear--
   Night my banner, and my herald Fear.

But I knew where one so long had waited
   In the low room at the stairway's height,
Trembling lest my foot should be belated,
   Singing, sighing for the long hours' flight
   Towards the moment of our dear delight.

I came into the City when you hail'd me


An Unmarked Festival

There's a feast undated, yet
Both our true lives hold it fast,--
Even the day when we first met.
What a great day came and passed,
--Unknown then, but known at last.

And we met: You knew not me,
Mistress of your joys and fears;
Held my hand that held the key
Of the treasure of your years,
Of the fountain of your tears.

For you knew not it was I,
And I knew not it was you.
We have learnt, as days went by.
But a flower struck root and grew
Underground, and no one knew.


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