Cocoon For A Skeleton

Clothes: to compose
The furtive, lone
Pillar of bone
To some repose.

To let hands shirk
Utterance behind
A pocket's blind
Deceptive smirk.

To mask, belie
The undue haste
Of breast for breast
Or thigh for thigh.

To screen, conserve
The pose, when death
Half strips the sheath
And leaves the nerve.

To edit, glose
Lyric desire
And slake its fire
In polished prose.


Submitted by Stephen Fryer


Clouds Above The Sea

My father and mother, two tiny figures,
side by side, facing the clouds that move
in from the Atlantic. August, '33.
The whole weight of the rain to come, the weight
of all that has fallen on their houses
gathers for a last onslaught, and yet they
hold, side by side, in the eye of memory.
What was she wearing, you ask, what did he
say to make the riding clouds hold their breath?
Our late August afternoons were chilly
in America, so I shall drape her throat
in a silken scarf above a black dress.


Cliche Came Out of its Cage

1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother


City That Does Not Sleep

In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.

Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years


Cinderella

Her imaginary playmate was a grown-up
In sea-coal satin. The flame-blue glances,
The wings gauzy as the membrane that the ashes
Draw over an old ember --as the mother
In a jug of cider-- were a comfort to her.
They sat by the fire and told each other stories.

"What men want..." said the godmother softly--
How she went on it is hard for a man to say.
Their eyes, on their Father, were monumental marble.
Then they smiled like two old women, bussed each other,


Churching Of Women

Is there, in bowers of endless spring,
One known from all the seraph band
By softer voice, by smile and wing
More exquisitely bland!
Here let him speed: to-day this hallowed air
Is fragrant with a mother's first and fondest prayer.

Only let Heaven her fire impart,
No richer incense breathes on earth:
"A spouse with all a daughter's heart,"
Fresh from the perilous birth,
To the great Father lifts her pale glad eye,


Christ's Triumph after Death excerpts

I
But now the second Morning, from her bow'r,
Began to glister in her beams, and now
The roses of the day began to flow'r
In th' eastern garden; for Heav'ns smiling brow
Half insolent for joy begun to show:
The early Sun came lively dancing out,
And the brag lambs ran wantoning about,
That heav'n, and earth might seem in triumph both to shout.


II
Th' engladded Spring, forgetfull now to weep,
Began t' eblazon from her leafy bed,


Charlie French

Did you ever find out
which of the boys it was
Who snapped the toy pistol against my hand?
There when the flags were red and white
In the breeze and "Bucky" Estil
Was firing the cannon brought to Spoon River
From Vicksburg by Captain Harris;
And the lemonade stands running
And the band was playing,
To have it all spoiled
By a piece of a cap shot under the skin of my hand,
And the boys all crowding about me saying:
"You'll die of lock-jaw, Charlie, sure."
Oh, dear! oh, dear!


Chorus from 'Atalanta

WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,
   With a clamour of waters, and with might;


Chorus

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,


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