But in the Wine-presses the human grapes sing not nor dance:
They howl and writhe in shoals of torment, in fierce flames consuming,
In chains of iron and in dungeons circled with ceaseless fires,
In pits and dens and shades of death, in shapes of torment and woe:
The plates and screws and racks and saws and cords and fires and cisterns
The cruel joys of Luvah's Daughters, lacerating with knives
And whips their victims, and the deadly sport of Luvah's Sons.

They dance around the dying and they drink the howl and groan,

They're burning off at the Rampadells,
The tawny flames uprise,
With greedy licking around the trees;
The fierce breath sears our eyes.

From cores already grown furnace-hot -
The logs are well alight!
We fling more wood where the flameless heart
Is throbbing red and white.

The fire bites deep in that beating heart,
The creamy smoke-wreaths ooze
From cracks and knot-holes along the trunk
To melt in greys and blues.

The young horned moon has gone from the sky,
And night has settled down;

'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,

Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.

O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?

Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?

Did sudden lift of fog reveal
Arcadia's vales of song and spring,

She has gone,-- she has left us in passion and pride,--
Our stormy-browed sister, so long at our side!
She has torn her own star from our firmament's glow,
And turned on her brother the face of a foe!

Oh, Caroline, Caroline, child of the sun,
We can never forget that our hearts have been one,--
Our foreheads both sprinkled in Liberty's name,
From the fountain of blood with the finger of flame!

You were always too ready to fire at a touch;

O come, soft rest of cares! come, Night!
   Come, naked Virtue's only tire,
The reaped harvest of the light
   Bound up in sheaves of sacred fire.
   Love calls to war:
   Sighs his alarms,
   Lips his swords are,
   The field his arms.

Come, Night, and lay thy velvet hand
   On glorious Day's outfacing face;
And all thy crowned flames command
   For torches to our nuptial grace.
   Love calls to war:

(Time Night. Scene the woods.)


Where shall I turn me? whither shall I bend
My weary way? thus worn with toil and faint
How thro' the thorny mazes of this wood
Attain my distant dwelling? that deep cry
That rings along the forest seems to sound
My parting knell: it is the midnight howl
Of hungry monsters prowling for their prey!
Again! oh save me--save me gracious Heaven!
I am not fit to die!
Thou coward wretch
Why heaves thy trembling heart? why shake thy limbs
Beneath their palsied burden? is there ought

Equality is absolute or no.
Nothing between can stand. We are the sons
Of the same sire, or madness breaks and runs
Through the rude world. Ridiculous our woe
If single pity does not love it. So
Our separate fathers love us. No man shuns
His poorest child's embrace. We are the sons
Of such, or ground and sky are soon to go.

Nor do born brothers judge, as good or ill,
Their being. Each consents and is the same,
Or suddenly sweet winds turn into flame
And floods are on us--fire, earth, water, air

Behold! I'm old; my hair is white;
My eighty years are in the offing,
And sitting by the fire to-night
I sip a grog to ease my coughing.
It's true I'm raucous as a rook,
But feeling bibulously "bardy,"
These lines I'm scribbling in a book:
The verse complete of Thomas Hardy.
II
Although to-day he's read by few,
Him have I loved beyond all measure;
So here to-night I riffle through
His pages with the oldtime pleasure;
And with this book upon my knee,
(To-day so woefully neglected)
I muse and think how soon I'll be

Oh! Bury me in books when I am dead,
Fair quarto leaves of ivory and gold,
And silk octavos, bound in brown and red,
That tales of love and chivalry unfold.
Heap me in volumes of fine vellum wrought,
Creamed with the close content of silent speech;
Wrap me in sapphire tapestries of thought
From some old epic out of common reach.
I would my shroud were verse-embroidered too---
Your verse for preference—in starry stitch,
And powdered o’er with rhymes that poets woo,
Breathing dream-lyrics in moon-measures rich.