fishing

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.

A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay,

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;

To and fro, to and fro
In my little boat I go
Sailing far across the sea
All alone, just little me.
And the sea is big and strong
And the journey very long.
To and fro, to and fro
In my little boat I go.

Sea and sky, sea and sky,
Quietly on the deck I lie,
Having just a little rest.
I have really done my best
In an awful pirate fight,
But we cdaptured them all right.
Sea and sky, sea and sky,
Quietly on the deck I lie--

Far away, far away
From my home and from my play,

High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among

Once red ripple came to land
In the golden sunset burning--
Lapped against a maiden's hand,
By the ford returning.

Dainty foot and gentle breast--
Here, across, be glad and rest.
"Maiden, wait," the ripple saith;
"Wait awhile, for I am Death!"

"Where my lover calls I go--
Shame it were to treat him coldly--
'Twas a fish that circled so,
Turning over boldly."

Dainty foot and tender heart,
Wait the loaded ferry-raft.
"Wait, ah, wait!" the ripple saith;

we had goldfish and they circled around and around
in the bowl on the table near the heavy drapes
covering the picture window and
my mother, always smiling, wanting us all
to be happy, told me, 'be happy Henry!'
and she was right: it's better to be happy if you
can
but my father continued to beat her and me several times a week while
raging inside his 6-foot-two frame because he couldn't
understand what was attacking him from within.

my mother, poor fish,
wanting to be happy, beaten two or three times a

My banks they are furnish'd with bees,
Whose murmur invites one to sleep;
My grottos are shaded with trees,
And my hills are white-over with sheep.
I seldom have met with a loss,
Such health do my fountains bestow;
My fountains all border'd with moss,
Where the hare-bells and violets grow.
Not a pine in my grove is there seen,
But with tendrils of woodbine is bound:

Not a beech's more beautiful green,
But a sweet-briar entwines it around.
Not my fields, in the prime of the year,

Near the dry river's water-mark we found
Your brother Minnegan,
Flopped like a fish against the muddy ground.
Beany, the kid whose yellow hair turns green,
Told me to find you, even if the rain,
And tell you he was drowned.

I hid behind the chassis on the bank,
The wreck of someone's Ford:
I was afraid to come and wake you drunk:
You told me once the waking up was hard,
The daylight beating at you like a board.
Blood in my stomach sank.

Beside, you told him never to go out
Along the river-side

for Rene Magritte

The carpenter's made a hole
In the parlor floor, and I'm standing
Staring down into it now
At four o'clock in the evening,
As Schliemann stood when his shovel
Knocked on the crowns of Troy.

A clean-cut sawdust sparkles
On the grey, shaggy laths,
And here is a cluster of shavings
>From the time when the floor was laid.
They are silvery-gold, the color
Of Hesperian apple-parings.

Kneeling, I look in under
Where the joists go into hiding.

Man looking into the sea,
taking the view from those who have as much right to it as
           you have to it yourself,
it is human nature to stand in the middle of a thing,
but you cannot stand in the middle of this;
the sea has nothing to give but a well excavated grave.
The firs stand in a procession, each with an emerald turkey-
           foot at the top,
reserved as their contours, saying nothing;
repression, however, is not the most obvious characteristic of
           the sea;