friend

I. THE DOLL UPON THE TOPMOST BOUGH


This doll upon the topmost bough,
This playmate-gift, in Christmas dress,
Was taken down and brought to me
One sleety night most comfortless.

Her hair was gold, her dolly-sash
Was gray brocade, most good to see.
The dear toy laughed, and I forgot
The ill the new year promised me.


II. ON SUDDENLY RECEIVING A CURL LONG REFUSED

Oh, saucy gold circle of fairyland silk —
Impudent, intimate, delicate treasure:

WHEN mirth is full and free,
Some sudden gloom shall be;
When haughty power mounts high,
The Watcher’s axe is nigh.
All growth has bound; when greatest found,
It hastes to die.

When the rich town, that long
Has lain its huts among,
Uprears its pageants vast,
And vaunts—it shall not last!
Bright tints that shine are but a sign
Of summer past.

And when thine eye surveys,
With fond adoring gaze,

My gentle friend! I hold no creed so false
As that which dares to teach that we are born
For battle only, and that in this life
The soul, if it would burn with starlike power,
Must needs forsooth be kindled by the sparks
Struck from the shock of clashing human hearts.
There is a wisdom that grows up in strife,
And one -- I like it best -- that sits at home
And learns its lessons of a thoughtful ease.
So come! a lonely house awaits thee! -- there
Nor praise, nor blame shall reach us, save what love

No more for you the city's thorny ways,
The ugly corners of the Negro belt;
The miseries and pains of these harsh days
By you will never, never again be felt.

No more, if still you wander, will you meet
With nights of unabating bitterness;
They cannot reach you in your safe retreat,
The city's hate, the city's prejudice!

'Twas sudden--but your menial task is done,
The dawn now breaks on you, the dark is over,
The sea is crossed, the longed-for port is won;

AWAY! the moor is dark beneath the moon,
   Rapid clouds have drunk the last pale beam of even:
Away! the gathering winds will call the darkness soon,
   And profoundest midnight shroud the serene lights of heaven.
Pause not! the time is past! Every voice cries, 'Away!'
   Tempt not with one last tear thy friend's ungentle mood:
Thy lover's eye, so glazed and cold, dares not entreat thy stay:
   Duty and dereliction guide thee back to solitude.

Away, away! to thy sad and silent home;

That scathing word I used in scorn
(Though half a century ago)
Comes back to me this April morn,
Like boomerang to work me woe;
Comes back to me with bitter blame
(Though apple boughs are blossoming),
And oh! the anguish of my shame
Is sharper than a serpent's sting!

Age sensitizes us to pain,
And when remembrance of some word
We spoke in wrath return again,
It stab is like a driven sword. . . .
And if in some celestial span
Our hearts in penitence may bleed
For all the hurt we've done to man -

Why, Pigot, complain of this damsel's disdain,
Why thus in despair do you fret?
For months you may try, yet, believe me, a sigh
Will never obtain a coquette.

Would you teach her to love? for a time seem to rove;
At first she may frown in a pet;
But leave her awhile, she shortly will smile,
And then you may kiss your coquette.

For such are the airs of these fanciful fairs,
They think all our homage a debt:
Yet a partial neglect soon takes an effect,
And humbles the proudest coquette.

Renowned Champion full of wrestling Art,
And made for victory in every part,
Whose active Limbes, oyl'd Tongue, and vertuous Mind,
Subdu'd both Foe and Friend, the Rough and Kind,
Yea, ev'n Thy-selfe, and thy Diseases too,
And all but Death (which won with much adoe
And shall at last be vanquish'd,) where are now
Those brawny Armes that crush'd the Dane? and how
Doe all thy Languages to Silence turne?
Babel's undifferenc'd by the speechlesse Urne.
What use of Wisedome now to mold the state

How dear to me the twilight hour!
It breathes, it speaks of pleasures past;
When Laura sought this humble bower,
And o'er it courtly splendours cast.

Fond fancy's friend, dim twilight, hail!
Thou canst the absent nymph restore;
And as around thy shadows sail,
They bring the form I still adore.

Again her pensive smile I view,
Her modest eye's soft chastened fire;
And mark her cheek of tender hue
From thee a softer tint acquire.

No eye but mine in that dim hour

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders