green

On a pebly shore, where forevermore
Gently creeps a music laden wave --
In the meadows green, which beyond are seen,
Camps a conq'ring army, true and brave.
Shining are the weapons of this martial throng --
Crimson died their banner, battleworn so long;
But now they cast them down, and each receives a crown,
Whey they chant their never ending song:

"Our Saviour and our King!
His victories shall ring!
His conquests thro' eternity shall sound!
(And war shall be no)
War (more) shall be no more --

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;

A maiden sat in teh sunset glow
Of the shadowy, beautiful Long Ago,
That we see through a mist of tears.
She sat and dreamed, with lips apart,
With thoughtful eyes and a beating heart,
Of the mystical future years;
And brighter far than the sunset skies
Was the vision seen by the maiden's eyes.

There were castles built of the summer air,
And beautiful voices were singing there,
In a soft and floating strain.
There were skies of azure and fields of green,
With never a cloud to come between,

When I was ten (no, younger
than that), my mother tried
to kill herself (without the facts
there can't be faith). One death
or another every day, Tanqueray bottles
halo the bed and she won't wake up
all weekend. In the myth book's color
illustration, the poet turns around
inside the mouth of hell to look at her
losing him (because it's not her fault
they had to meet there): so he can keep her
somewhere safe, save her place
till she comes back. Some say
she stepped on an asp, a handful of pills

WHEN Orpheus with his wind-swift fingers
Ripples the strings that gleam like rain,
The wheeling birds fly up and sing,
Hither, thither echoing;
There is a crackling of dry twigs,
A sweeping of leaves along the ground,
Fawny faces and dumb eyes
Peer through the fluttering screens
That mask ferocious teeth and claws
Now tranquil.
As the music sighs up the hill-side,
The young ones hear,
Come skipping, ambling, rolling down,
Their soft ears flapping as they run,

Whirl up, sea—
Whirl your pointed pines.
Splash your great pines
On our rocks.
Hurl your green over us—
Cover us with your pools of fir.

It's not the case, though some might wish it so
Who from a window watch the blizzard blow

White riot through their branches vague and stark,
That they keep snug beneath their pelted bark.

They take affliction in until it jells
To crystal ice between their frozen cells,

And each of them is inwardly a vault
Of jewels rigorous and free of fault,

Unglimpsed until in May it gently bears
A sudden crop of green-pronged solitaires.

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,

lights in the twilight,
lights of Solvay over the expanse of frozen snow-covered
lake,
orange lights of the refineries,
yellow and green and red lights of the neon along the
strip,
lights as if undersea, the argon just coming to exist,
all lights in the cold moisture of the grounded wind
staggering across the lake at twilight
are blurred, are meaningless, they call, together,
with a sound unintelligible and of no interest;
but in the slate sky above the imagined horizon

Only a dancing girl,
With an unromantic style,
With borrowed colour and curl,
With fixed mechanical smile,
With many a hackneyed wile,
With ungrammatical lips,
And corns that mar her trips.

Hung from the "flies" in air,
She acts a palpable lie,
She's as little a fairy there
As unpoetical I!
I hear you asking, Why -
Why in the world I sing
This tawdry, tinselled thing?

No airy fairy she,
As she hangs in arsenic green
From a highly impossible tree