You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the "Never",
His mother was Mameluke breed.
To the front -- and then stay there - was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --

Old Man, or Lads-Love, - in the name there's nothing
To one that knows not Lads-Love, or Old Man,
The hoar green feathery herb, almost a tree,
Growing with rosemary and lavender.
Even to one that knows it well, the names
Half decorate, half perplex, the thing it is:
At least, what that is clings not to the names
In spite of time. And yet I like the names.

The herb itself I like not, but for certain
I love it, as someday the child will love it
Who plucks a feather from the door-side bush
Whenever she goes in or out of the house.

Through Erin's Isle
To sport awhile
As Love and Valour wander'd,
With Wit, the sprite,
Whose quiver bright
A thousand arrows squander'd;
Where'er they pass,
A triple grass
Shoots up, with dew-drops streaming,
As softly green
As emeralds seen
Through purest crystal gleaming.
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin's native Shamrock!

Says Valour, "See,
They spring for me,
Those leafy gems of morning!" --
Says Love, "No, no,

Oh, see how thick the goldcup flowers
Are lying in field and lane,
With dandelions to tell the hours
That never are told again.
Oh may I squire you round the meads
And pick you posies gay?
--'Twill do no harm to take my arm.
'You may, young man, you may.'

Ah, spring was sent for lass and lad,
'Tis now the blood runs gold,
And man and maid had best be glad
Before the world is old.
What flowers to-day may flower to-morrow,
But never as good as new.
--Suppose I wound my arm right round--

Oh! breathe not his name, let it sleep in the shade,
Where cold and unhonour'd his relics are laid:
Sad, silent, and dark, be the tears that we shed,
As the night-dew that falls on the grass o'er his head.

But the night-dew that falls, though in silence it weeps,
Shall brighten with verdure the grave where he sleeps;
And the tear that we shed, though in secret it rolls,
Shall long keep his memory green in our souls.

I offer you my forests and my street-cries
With hands of double-patience under the clock,
The antiseptic arguments and lies
Uttered before the flood, the submerged rock.
The sack of meal pierced by the handsome fencer,
The flowers dying for a great adventure.

I offer you the mysterious parable,
The mount of reason, the hero's glassy hymn,
The disquieting uproar of the obvious
Hate in the taproom, murder in the barn
The long experienced finger of the Gulf Stream,
The flying sense of glory in a failure's dream.

Three jolly Farmers
Once bet a pound
Each dance the others would
Off the ground.
Out of their coats
They slipped right soon,
And neat and nicesome
Put each his shoon.
One--Two--Three!
And away they go,
Not too fast,
And not too slow;
Out from the elm-tree's
Noonday shadow,
Into the sun
And across the meadow.
Past the schoolroom,
With knees well bent,
Fingers a flicking,
They dancing went.
Up sides and over,
And round and round,
They crossed click-clacking
The Parish bound;

He wrapped them carefully, neatly
in costly green silk.

Roses of ruby, lilies of pearl,
violets of amethyst. As he himself judged,

as he wanted them, they look beautiful to him; not as he saw
or studied them in nature. He will leave them in the safe,

a sample of his daring and skillful craft.
When a buyer enters the shop

he takes from the cases other wares and sells -- superb jewels --
bracelets, chains, necklaces, and rings.

Of a' the airts the wind can blaw
I dearly like the west,
For there the bonie lassie lives,
The lassie I lo'e best.
There wild woods grow and rivers row,
And monie a hill between;
But day and night my fancy's flight
Is ever wi' my Jean.
I see her in the dewy flowers;
I see her sweet and fair:
I hear her in the tunefu' birds;
I hear her charm the air.
There's not a bonie flower that springs
By fountain, shaw, or green;
There's not a bonie bird that sings,
But minds me o' my Jean.

Melpomene, the muse of tragic songs,
With mournful tunes, in stole of dismal hue,
Assist a silly nymph to wail her woe,
And leave thy lusty company behind.

Thou luckless wreath! becomes not me to wear
The poplar tree for triumph of my love:
Then as my joy, my pride of love, is left,
Be thou unclothed of thy lovely green;

And in thy leaves my fortune written be,
And them some gentle wind let blow abroad,
That all the world may see how false of love
False Paris hath to his OEnone been.