hair

I
THE BRIDE

Where have You hidden Yourself,
And abandoned me in my groaning, O my Beloved?
You have fled like the hart,
Having wounded me.
I ran after You, crying; but You were gone.

II
O shepherds, you who go
Through the sheepcots up the hill,
If you shall see Him
Whom I love the most,
Tell Him I languish, suffer, and die.

III
In search of my Love
I will go over mountains and strands;
I will gather no flowers,
I will fear no wild beasts;

As I calmly sat and span,

Toiling with all zeal,
Lo! a young and handsome man

Pass'd my spinning-wheel.

And he praised,--what harm was there?--

Sweet the things he said--
Praised my flax-resembling hair,

And the even thread.

He with this was not content,

But must needs do more;
And in twain the thread was rent,

Though 'twas safe before.

And the flax's stonelike weight

Needed to be told;
But no longer was its state

Valued as of old.

Once I loved a spider
When I was born a fly,
A velvet-footed spider
With a gown of rainbow-dye.
She ate my wings and gloated.
She bound me with a hair.
She drove me to her parlor
Above her winding stair.
To educate young spiders
She took me all apart.
My ghost came back to haunt her.
I saw her eat my heart.

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat

Too frail to soar -- a feeble thing --
It fell to earth with fluttering wing;
But God, who watches over all,
Beheld that little sparrow's fall.

'Twas not a bird with plumage gay,
Filling the air with its morning lay;
'Twas not an eagle bold and strong,
Borne on the tempest's wing along.

Only a brown and weesome thing,
With drooping head and listless wing;
It could not drift beyond His sight
Who marshals the splendid stars of night.

Its dying chirp fell on His ears,

As on all its sides a kitchen-match darts white
flickering tongues before it bursts into flame:
with the audience around her, quickened, hot,
her dance begins to flicker in the dark room.

And all at once it is completely fire.

One upward glance and she ignites her hair
and, whirling faster and faster, fans her dress
into passionate flames, till it becomes a furnace
from which, like startled rattlesnakes, the long
naked arms uncoil, aroused and clicking.

And then: as if the fire were too tight

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

Hark, now everything is still,
The screech-owl and the whistler shrill,
Call upon our dame aloud,
And bid her quickly don her shroud!
Much you had of land and rent;
Your length in clay's now competent:
A long war disturbed your mind;
Here your perfect peace is signed.
Of what is't fools make such vain keeping?
Sin their conception, their birth weeping,
Their life a general mist of error,
Their death a hideous storm of terror.
Strew your hair with powders sweet,
Don clean linen, bathe your feet,

As Ann came in one summer's day,
She felt that she must creep,
So silent was the clear cool house,
It seemed a house of sleep.
And sure, when she pushed open the door,
Rapt in the stillness there,
Her mother sat, with stooping head,
Asleep upon a chair;
Fast -- fast asleep; her two hands laid
Loose-folded on her knee,
So that her small unconscious face
Looked half unreal to be:
So calmly lit with sleep's pale light
Each feature was; so fair
Her forehead -- every trouble was

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised