hair

So you think its Stephen?
Then I'd best make sure
Be on the safe side as it were.
Ah, theres been a mistake. The hair
you see, its black, now Stephens fair ...
Whats that? The explosion?
Of course, burnt black. Silly of me.
I should have known. Then lets get on.

The face, is that the face mask?
that mask of charred wood
blistered scarred could
that have been a child's face?
The sweater, where intact, looks
in fact all too familiar.
But one must be sure.

The scoutbelt. Yes thats his.

A more humane Mikado never
Did in Japan exist;
To nobody second,
I'm certainly reckoned
A true philanthropist.
It is my very humane endeavour
To make, to some extent,
Each evil liver
A running river
Of harmless merriment.

My object all sublime
I shall achieve in time -
To let the punishment fit the crime -
The punishment fit the crime;
And make each prisoner pent
Unwillingly represent
A source of innocent merriment -
Of innocent merriment!

Many have Earth's lovers been,
Tried in seas and wars, I ween;
Yet the mightiest have I seen:
Yea, the best saw I.
One that in a field alone
Stood up stiller than a stone
Lest a moth should fly.

Birds had nested in his hair,
On his shoon were mosses rare,
Insect empires flourished there,
Worms in ancient wars;
But his eyes burn like a glass,
Hearing a great sea of grass
Roar towards the stars.

From them to the human tree
Rose a cry continually:
`Thou art still, our Father, we

The Temple in Darkness

Darkness broods upon the temple,
Glooms along the lonely aisles,
Fills up all the orient window,
Whence, like little children’s wiles,
Shadows—purple, azure, golden—
Broke upon the floor in smiles.

From the great heart of the organ
Bursts no voice of chant or psalm;
All the air, by music-pulses
Stirred no more, is deathly calm;
And no precious incense rising,
Falls, like good men’s prayer, in balm.

No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;

The door is shut. She leaves the curtained office,
And down the grey-walled stairs comes trembling slowly
Towards the dazzling street.
Her withered hand clings tightly to the railing.
The long stairs rise and fall beneath her feet.

Here in the brilliant sun we jostle, waiting
To tear her secret out . . . We laugh, we hurry,
We go our way, revolving, sinister, slow.
She blinks in the sun, and then steps faintly downward.
We whirl her away, we shout, we spin, we flow.

Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—

Had she come all the way for this,
To part at last without a kiss?
Yea, had she borne the dirt and rain
That her own eyes might see him slain
Beside the haystack in the floods?

Along the dripping leafless woods,
The stirrup touching either shoe,
She rode astride as troopers do;
With kirtle kilted to her knee,
To which the mud splash'd wretchedly;
And the wet dripp'd from every tree
Upon her head and heavy hair,
And on her eyelids broad and fair;

Malefica quaedam auguriatrix in Anglia fuit, quam demones horribiliter extraxerunt, et imponentes super equum terribilem, per aera rapuerunt; Clamoresque terribiles (ut ferunt) per quatuor ferme miliaria audiebantur.

Nuremb. Chron.

On the lone bleak moor,
At the midnight hour,
Beneath the Gallows Tree,
Hand in hand
The Murderers stand
By one, by two, by three!
And the Moon that night
With a grey, cold light
Each baleful object tips;
One half of her form
Is seen through the storm,