(The poem shows the Master, with his work done, singing to free his heart in Heaven.)


I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.

All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.

I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.

They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.

They come shaking in triumph their long, green hair:

I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea;
I have longed to move away
From the repetition of salutes,
For there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.

I have longed to move away but am afraid;
Some life, yet unspent, might explode
Out of the old lie burning on the ground,
And, crackling into the air, leave me half-blind.
Neither by night's ancient fear,

398

I had not minded—Walls—
Were Universe—one Rock—
And fr I heard his silver Call
The other side the Block—

I'd tunnel—till my Groove
Pushed sudden thro' to his—
Then my face take her Recompense—
The looking in his Eyes—

But 'tis a single Hair—
A filament—a law—
A Cobweb—wove in Adamant—
A Battlement—of Straw—

A limit like the Veil
Unto the Lady's face—
But every Mesh—a Citadel—
And Dragons—in the Crease—

351

I felt my life with both my hands
To see if it was there—
I held my spirit to the Glass,
To prove it possibler—

I turned my Being round and round
And paused at every pound
To ask the Owner's name—
For doubt, that I should know the Sound—

I judged my features—jarred my hair—
I pushed my dimples by, and waited—
If they—twinkled back—
Conviction might, of me—

I told myself, "Take Courage, Friend—
That—was a former time—
But we might learn to like the Heaven,
As well as our Old Home!"

I fellowed sleep who kissed me in the brain,
Let fall the tear of time; the sleeper's eye,
Shifting to light, turned on me like a moon.
So, planning-heeled, I flew along my man
And dropped on dreaming and the upward sky.

I fled the earth and, naked, climbed the weather,
Reaching a second ground far from the stars;
And there we wept I and a ghostly other,
My mothers-eyed, upon the tops of trees;
I fled that ground as lightly as a feather.

'My fathers' globe knocks on its nave and sings.'

I feel
Very much
Like taking
Its unholy perpetrators
By the hair
Of their heads
(If they have any hair)
And dragging them around
A few times,
And then cutting them
Into small, irregular pieces
And burying them
In the depths of the blue sea.
They are without form
And void,/ Or at least
The stuff they/ produce
Is./ They are too lazy
To hunt up rhymes;
And that
Is all
That is the matter with them.

I do not love thee for that fair
Rich fan of thy most curious hair;
Though the wires thereof be drawn
Finer than threads of lawn,
And are softer than the leaves
On which the subtle spider weaves.

I do not love thee for those flowers
Growing on thy cheeks, love's bowers;
Though such cunning them hath spread,
None can paint them white and red:
Love's golden arrows thence are shot,
Yet for them I love thee not.

I do not love thee for those soft
Red coral lips I've kissed so oft,
Nor teeth of pearl, the double guard

326

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,

And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider Balls,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—

Nor any know I know the Art

Oh! I am so happy
I am so happy at what
It is happening to me
I am getting Old
I am Ageing

I am loosing my teeth
My hair is turning grey
For now on,
Everybody would listen to me
The entire village would sit down

Quietly and listen to what
I would have to say
Most of the evenings
The children would abandon their houses
Rush to my place

They will arrange the fire woods
Which they will bring from
Their own houses
And put fire on them
Regardless of what their parents would say