hate

Don't cheer, damn you! Don't cheer!
Silence! Your bitterest tear
Is fulsomely sweet to-day. . . .
Down on your knees and pray.
II
See, they sing as they go,
Marching row upon row.
Who will be spared to return,
Sombre and starkly stern?
Chaps whom we knew - s0 strange,
Distant and dark with change;
Silent as those they slew,
Something in them dead too.
Who will return this way,
To sing as they sing to-day.
III
Send to the glut of the guns
Bravest and best of you sons.

TO MISS GRACE KING

Down in the old French quarter,
Just out of Rampart street,
I wend my way
At close of day
Unto the quaint retreat
Where lives the Voodoo Doctor
By some esteemed a sham,
Yet I'll declare there's none elsewhere
So skilled as Doctor Sam
With the claws of a deviled crawfish,
The juice of the prickly prune,
And the quivering dew
From a yarb that grew
In the light of a midnight moon!

I never should have known him

I went up and down the streets
Here and there by day and night,
Through all hours of the night caring for the poor who were sick.
Do you know why?
My wife hated me, my son went to the dogs.
And I turned to the people and poured out my love to them.
Sweet it was to see the crowds about the lawns on the day of my funeral,
And hear them murmur their love and sorrow.
But oh, dear God, my soul trembled -- scarcely able
To hold to the railing of the new life
When I saw Em Stanton behind the oak tree
At the grave,

"Put up the sword!" The voice of Christ once more
Speaks, in the pauses of the cannon's roar,
O'er fields of corn by fiery sickles reaped
And left dry ashes; over trenches heaped
With nameless dead; o'er cities starving slow
Under a rain of fire; through wards of woe
Down which a groaning diapason runs
From tortured brothers, husbands, lovers, sons
Of desolate women in their far-off homes
Waiting to hear the step that never comes!
O men and brothers! let that voice be heard.

I.Written March 29, 1864.1.
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.

My body, eh? Friend Death, how now?
Why all this tedious pomp of writ?
Thou hast reclaimed it sure and slow
For half a century bit by bit.

In faith thou knowest more to-day
Than I do, where it can be found!
This shrivelled lump of suffering clay,
To which I am now chained and bound,

Has not of kith or kin a trace
To the good body once I bore;
Look at this shrunken, ghastly face:
Didst ever see that face before?

Ah, well, friend Death, good friend thou art;

Take, since you bade it should bear,
These, of the seed of your sowing,
Blossom or berry or weed.
Sweet though they be not, or fair,
That the dew of your word kept growing,
Sweet at least was the seed.

Men bring you love-offerings of tears,
And sorrow the kiss that assuages,
And slaves the hate-offering of wrongs,
And time the thanksgiving of years,
And years the thanksgiving of ages;
I bring you my handful of songs.

If a perfume be left, if a bloom,

I opened wide the bath-room door,
And all at once switched on the light,
When moving swift across the floor
I saw a streak of ebon bright:
Then quick, with slipper in my hand,
Before it could escape,--I slammed.
I missed it once, I missed it twice,
But got it ere it gained its lair.
I fear my words were far from nice,
Though d----s with me are rather rare:
Then lo! I thought that dying roach
Regarded me with some reproach.
II
Said I: "Don't think I grudge you breath;

I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .

"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.

They say that dead men tell no tales!

Except of barges with red sails
And sailors mad for nightingales;

Except of jongleurs stretched at ease
Beside old highways through the trees;

Except of dying moons that break
The hearts of lads who lie awake;

Except of fortresses in shade,
And heroes crumbled and betrayed.

But dead men tell no tales, they say!

Except old tales that burn away
The stifling tapestries of day:

Old tales of life, of love and hate,