We have a small sculpture of Henry James on our terrace in New York City.

Nothing would surprise him.
The beast in the jungle was what he saw--
Edith Wharton's obfuscating older brother. . .

He fled the demons
of Manhattan
for fear they would devour
his inner ones
(the ones who wrote the books)
& silence the stifled screams
of his protagonists.

To Europe
like a wandering Jew--
WASP that he was--
but with the Jew's
outsider's hunger. . .

face pressed up
to the glass of sex

The gh comes from rough, the o from women's,
and the ti from unmentionables--presto:
there's the perfect English instance of
unlovablility--complete

with fish. Our wish was for a better
revelation: for a correspondence--
if not lexical, at least
phonetic; if not with Madonna

then at least with Mary Magdalene.
Instead we get the sheer
opacity of things: an accident
of incident, a tracery of history: the dung

inside the dungarees, the jock strap for a codpiece, and

'Twas in the year of 1878, and. the winter had set in,
Lord Roberts and the British Army their march did begin,
On their way to Afghanistan to a place called Cabul;
And the weather was bitter cold and the rivers swollen and full.

And the enemy were posted high up amongst the hills,
And when they saw the British, with fear their blood thrills;
The savages were camped on the hillsides in war array,
And occupying a strong position which before the British lay.

And viewed from the front their position was impregnable,

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.

Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different.

The Beaver's Lesson

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.

Then the Butcher contrived an ingenious plan
For making a separate sally;
And fixed on a spot unfrequented by man,
A dismal and desolate valley.


But the very same plan to the Beaver occurred:
It had chosen the very same place:
Yet neither betrayed, by a sign or a word,
The disgust that appeared in his face.

The long lines of diesels
groan toward evening
carrying off the breath
of the living.
The face of your house
is black,
it is your face, black
and fire bombed
in the first street wars,
a black tooth planted in the earth
of Michigan
and bearing nothing,
and the earth is black,
sick on used oils.

Did you look for me in that house
behind the sofa
where I had to be?
in the basement where the shirts
yellowed on hangers?
in the bedroom
where a woman lay her face
on a locked chest?

I don't dare speak too loudly,
some timbres could be fatal--

that string is not too strong
I think: and at times I have

to breathe. Or maybe I fear
my paraphrastic exhalations

will spoil the oiled perfection
of its sleekness, will mist

over that brightness whose
needle sharp point compasses

my every stray. I am as
edgy in my way as it--

as little-rippled, as subtle.

Prey to vapors, to sudden
icecap thaws, seismic

dicethrows, the world wires me,
I hex myself up to a pitch

From plane of light to plane, wings dipping through
Geometries and orchids that the sunset builds,
Out of the peak's black angularity of shadow, riding
The last tumultuous avalanche of
Light above pines and the guttural gorge,
The hawk comes.
His wing
Scythes down another day, his motion
Is that of the honed steel-edge, we hear
The crashless fall of stalks of Time.

The head of each stalk is heavy with the gold of our error.

Look!Look!he is climbing the last light
Who knows neither Time nor error, and under

La Bibbia, ch'è una spece d'un'istoria,
Dice che ttra la prima e ssiconn'arca
Abbramo vorze fà da bon patriarca
N'ojocaustico a Dio sur Montemoria.

Pijò dunque un zomaro de la Marca,
Che ssenza comprimenti e ssenza boria,
Stava a pasce er trifojo e la cicoria
Davanti a casa sua come un monarca.

Poi chiamò Isacco e disse: "Fa' un fascetto,
Pija er marraccio, carca er zomarello,
Chiama er garzone, infilete er corpetto,

Saluta mamma, cercheme er cappello;
E annamo via, perché Dio benedetto