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As far from pity, as complaint—
As cool to speech—as stone—
As numb to Revelation
As if my Trade were Bone—
As far from time—as History—
As near yourself—Today—
As Children, to the Rainbow's scarf—
Or Sunset's Yellow play
To eyelids in the Sepulchre—
How dumb the Dancer lies—
While Color's Revelations break—
And blaze—the Butterflies!
A poem should be palpable and mute
As a globed fruit
Dumb
As old medallions to the thumb
Silent as the sleeve-worn stone
Of casement ledges where the moss has grown -
A poem should be wordless
As the flight of birds
A poem should be motionless in time
As the moon climbs
Leaving, as the moon releases
Twig by twig the night-entangled trees,
Leaving, as the moon behind the winter leaves,
Memory by memory the mind -
A poem should be motionless in time
OUT in the wastes of the West countrie,
Out where the white stars shine,
Grim and silent as such men be,
Rideth a man with a history—
Anthony Considine.
For the ways of men they are manifold
As their differing views in life;
Some sell themselves for the lust of gold,
And some for the lust of strife:
But this man counted the world well lost
For the love of his neighbour’s wife.
They fled together, as those must flee
Whom all men hold in blame;
Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.
The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.
One day Matthew asked Annie if she would be his wife,
To Ninip most powerful hero, great, chief of the gods, warrior, powerful Lord, whose onset in battle has not been opposed, eldest son,
crusher of opponents, first-born son of Nukimmut, supporter of the seven, noble ruler, King of the gods the producers, governor, he who rolls along the mass
of heaven and earth, opener of canals, treader of the wide earth, the god who in his divinity nourishes heaven and earth, the beneficent,
Adam, a brown old vulture in the rain,
Shivered below his wind-whipped olive-trees;
Huddling sharp chin on scarred and scraggy knees,
He moaned and mumbled to his darkening brain;
‘He was the grandest of them all was Cain!
‘A lion laired in the hills, that none could tire:
‘Swift as a stag: a stallion of the plain,
‘Hungry and fierce with deeds of huge desire.’
Grimly he thought of Abel, soft and fair
A lover with disaster in his face,
And scarlet blossom twisted in bright hair.
(March 4, 1913)
Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)
Let complicated structures not becloud
My lucid lines, nor weight with overloading.
(SAINT HELENA, 1821)
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
After all the Shakespeare, the book
of poems they type is the saddest
in history.
But before they can finish it,
they have to wait for that Someone
who is always
looking to look away. Only then
can they strike the million
keys that spell
humiliation and grief, which are
the great subjects of Monkey
Literature
and not, as some people still
believe, the banana
and the tire.
Where once we danced, where once we sang,
Gentlemen,
The floors are sunken, cobwebs hang,
And cracks creep; worms have fed upon
The doors. Yea, sprightlier times were then
Than now, with harps and tabrets gone,
Gentlemen!
Where once we rowed, where once we sailed,
Gentlemen,
And damsels took the tiller, veiled
Against too strong a stare (God wot
Their fancy, then or anywhen!)
Upon that shore we are clean forgot,
Gentlemen!
We have lost somewhat of that, afar and near,
