after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

All right. Try this,
Then. Every body
I know and care for,
And every body
Else is going
To die in a loneliness
I can't imagine and a pain
I don't know. We had
To go on living. We
Untangled the net, we slit
The body of this fish
Open from the hinge of the tail
To a place beneath the chin
I wish I could sing of.
I would just as soon we let
The living go on living.
An old poet whom we believe in
Said the same thing, and so
We paused among the dark cattails and prayed
For the muskrats,

Down by the beautiful Lakes of Killarney,
Off times I have met my own dear Barney,
In the sweet summer time of the year,
In the silvery moonlight so clear,
I've rambled with my sweetheart Barney,
Along the green banks of the Lakes of Killarney.

The Lakes of Killarney are most lovely to be seen
In the summer season when nature's face is green,
Especially in the beautiful silvery moonlight,
When its waters do shine like silver bright;
Such was the time when me and my Barney
Went to walk by the purty Lakes of Killarney.

Do not travel over vast distances.
Stay home and contemplate your neighbor,
the old woman who roams up and down the street.
She can never remember who you are
or who she is, for that matter.
This way, you will protect
your precarious sense of self.

Ruin your appetite before dinner.
This will ensure that you'll never feel hunger.
Play the same tune over and over,
driving everyone else crazy.
This protects you from unpredictability.

Find large articles of clothing
and wrap them around the trees,

No rose that in a garden ever grew,
In Homer's or in Omar's or in mine,
Though buried under centuries of fine
Dead dust of roses, shut from sun and dew
Forever, and forever lost from view,
But must again in fragrance rich as wine
The grey aisles of the air incarnadine
When the old summers surge into a new.
Thus when I swear, "I love with all my heart,"
'Tis with the heart of Lilith that I swear,
'Tis with the love of Lesbia and Lucrece;
And thus as well my love must lose some part
Of what it is, had Helen been less fair,

A stranger lies ill, in a distant city,
With no - - letters from home!
The glances that meet him, in lieu of pity,
Are querring, "Why does he roam?"
"Oh, heed my request," says he, "else 'twere better
I slept in this gold-dusted loam;
Dismiss the physician, and bring a letter--
A flock of kind letters from home."

"Oh, heed my request," says he, "else 'twer better I
I slept in this gold-dusted loam;
Dismiss the physician, and bring a letter--
A flock of kind letters from home."

Like messenger doves, from across the mountains,

I have lain in the sun
I have toil'd as I might,
I have thought as I would,
And now it is night.

My bed full of sleep,
My heart full of content
For friends that I met
The way that I went.

I welcome fatigue
While frenzy and care
Like thin summer clouds
Go melting in air.

To dream as I may
And awake when I will
With the song of the birds
And the sun on the hill.

Or death - were it death -
To what would I wake
Who loved in my home
All life for its sake?

What good have I wrought?

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon

The world around is sleeping,
The stars are bright o'erhead,
The shades of myalls weeping
Upon the sward are spread;
Among the gloomy pinetops
The fitful breezes blow,
And their murmurs seem the music
Of a song of long ago;
Soft, passionate, and wailing
Is the tender old refrain -
With a yearning unavailing -
"Will he no come back again?"

The camp-fire sparks are flying
Up from the pine-log's glow,
The wandering wind is sighing
That ballad sweet and low;
The drooping branches gleaming

(ALEXANDRIA-MARSEILLES)


Out in the blustering darkness, on the deck
A gleam of stars looks down. Long blurs of black,
The lean Destroyers, level with our track,
Plunging and stealing, watch the perilous way
Through backward racing seas and caverns of chill spray.
One sentry by the davits, in the gloom
Stands mute: the boat heaves onward through the night.
Shrouded is every chink of cabined light:
And sluiced by floundering waves that hiss and boom
And crash like guns, the troop-ship shudders ... doom.