Counting the Beats

You, love, and I,
(He whispers) you and I,
And if no more than only you and I
What care you or I ?

Counting the beats,
Counting the slow heart beats,
The bleeding to death of time in slow heart beats,
Wakeful they lie.

Cloudless day,
Night, and a cloudless day,
Yet the huge storm will burst upon their heads one day
From a bitter sky.

Where shall we be,
(She whispers) where shall we be,
When death strikes home, O where then shall we be
Who were you and I ?


Cooper's Hill excerpts

...
My eye, descending from the hill, surveys
Where Thames amongst the wanton valleys strays;
Thames, the most lov'd of all the Ocean's sons
By his old sire, to his embraces runs,
Hasting to pay his tribute to the sea,
Like mortal life to meet eternity.
Though with those streams he no resemblance hold
Whose foam is amber, and their gravel gold,
His genuine and less guilty wealth t' explore,
Search not his bottom, but survey his shore,
O'er which he kindly spreads his spacious wing,


Conversation with Jeanne

Let us not talk philosophy, drop it, Jeanne.
So many words, so much paper, who can stand it.
I told you the truth about my distancing myself.
I've stopped worrying about my misshapen life.
It was no better and no worse than the usual human tragedies.

For over thirty years we have been waging our dispute
As we do now, on the island under the skies of the tropics.
We flee a downpour, in an instant the bright sun again,
And I grow dumb, dazzled by the emerald essence of the leaves.


Come, Rest in this Bosom

I

Come, rest in this bosom, my own stricken deer,
Though the herd have fled from thee, thy home is still here;
Here still is the smile, that no cloud can o'ercast,
And a heart and a hand all thy own to the last.

II Oh! what was love made for, if 'tis not the same
Through joy and through torment, through glory and shame?
I know not, I ask not, if guilt's in that heart?
I but know that I love thee, whatever thou art.

III


Consolatorium, Ad Parentes

Lett her parents then confesse
That they beleeve her happinesse,
Which now they question. Thinke as you
Lent her the world, Heaven lent her you:
And is it just then to complayne
When each hath but his owne againe?
Then thinke what both your glories are
In her preferment: for tis farre
Nobler to gett a Saint, and beare
A childe to Heaven than an Heyre
To a large Empire. Thinke beside
Shee dyde not yong, but livde a Bride.
Your best wishes for her good
Were but to see her well bestowde:


Consolation

How agreeable it is not to be touring Italy this summer,
wandering her cities and ascending her torrid hilltowns.
How much better to cruise these local, familiar streets,
fully grasping the meaning of every roadsign and billboard
and all the sudden hand gestures of my compatriots.

There are no abbeys here, no crumbling frescoes or famous
domes and there is no need to memorize a succession
of kings or tour the dripping corners of a dungeon.
No need to stand around a sarcophagus, see Napoleon's


Conscripts

‘Fall in, that awkward squad, and strike no more
Attractive attitudes! Dress by the right!
The luminous rich colours that you wore
Have changed to hueless khaki in the night.
Magic? What’s magic got to do with you?
There’s no such thing! Blood’s red, and skies are blue.’

They gasped and sweated, marching up and down.
I drilled them till they cursed my raucous shout.
Love chucked his lute away and dropped his crown.
Rhyme got sore heels and wanted to fall out.


Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range


Concert Party

(EGYPTIAN BASE CAMP)


They are gathering round....
Out of the twilight; over the grey-blue sand,
Shoals of low-jargoning men drift inward to the sound—
The jangle and throb of a piano ... tum-ti-tum...
Drawn by a lamp, they come
Out of the glimmering lines of their tents, over the shuffling sand.

O sing us the songs, the songs of our own land,
You warbling ladies in white.
Dimness conceals the hunger in our faces,
This wall of faces risen out of the night,


Compensation

In that new world toward which our feet are set,
Shall we find aught to make our hearts forget
Earth's homely joys and her bright hours of bliss?
Has heaven a spell divine enough for this?
For who the pleasure of the spring shall tell
When on the leafless stalk the brown buds swell,
When the grass brightens and the days grow long,
And little birds break out in rippling song?

O sweet the dropping eve, the blush of morn,
The starlit sky, the rustling fields of corn,
The soft airs blowing from the freshening seas,


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