When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.

You may talk of Columbus's sailing
Across the Atlantical Sea
But he never tried to go railing
From Ennis as far as Kilkee
You run for the train in the morning,
The excursion train starting at eight
You're there when the clock gives the warnin'
And there for an hour you'll wait
And as you're waiting in the train,
You'll hear the guard sing this refrain-

Are ye right there, Michael, are ye right?
Do you think that we'll be there before the night?
Ye've been so long in startin',
That ye couldn't say for startin'

Heigho! the lark and the owl!
One flies the morning, and one lulls the night:
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.

'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.

'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'

Over a delicate arch--
an eyebrow of stone--

on the unruffled forehead
of a wall

in joyful and open windows
where there are faces instead of geraniums

where rigorous rectangles
border a dreaming perspective

where a stream awakened by an ornament
flows on a quiet field of surfaces

movement meets stillness a line meets a shout
trembling uncertainty simple clarity

you are there
architecture
art of fantasy and stone

there you reside beauty
over an arch
light as a sigh

on a wall

Old Archibald, in his eternal chair,
Where trespassers, whatever their degree,
Were soon frowned out again, was looking off
Across the clover when he said to me:

“My green hill yonder, where the sun goes down
Without a scratch, was once inhabited
By trees that injured him—an evil trash
That made a cage, and held him while he bled.

“Gone fifty years, I see them as they were
Before they fell. They were a crooked lot
To spoil my sunset, and I saw no time
In fifty years for crooked things to rot.

Tree, tree
dry and green.

The girl with the pretty face
is out picking olives.
The wind, playboy of towers,
grabs her around the waist.
Four riders passed by
on Andalusian ponies,
with blue and green jackets
and big, dark capes.
'Come to Cordoba, muchacha.'
The girl won't listen to them.
Three young bullfighters passed,
slender in the waist,
with jackets the color of oranges
and swords of ancient silver.
'Come to Sevilla, muchacha.'
The girl won't listen to them.
When the afternoon had turned

If ever I saw blessing in the air
I see it now in this still early day
Where lemon-green the vaporous morning drips
Wet sunlight on the powder of my eye.

Blown bubble-film of blue, the sky wraps round
Weeds of warm light whose every root and rod
Splutters with soapy green, and all the world
Sweats with the bead of summer in its bud.

If ever I heard blessing it is there
Where birds in trees that shoals and shadows are
Splash with their hidden wings and drops of sound
Break on my ears their crests of throbbing air.

The April rain, the April rain,
Comes slanting down in fitful showers,
Then from the furrow shoots the grain,
And banks are fledged with nestling flowers;
And in grey shaw and woodland bowers
The cuckoo through the April rain
Calls once again.

The April sun, the April sun,
Glints through the rain in fitful splendour,
And in grey shaw and woodland dun
The little leaves spring forth and tender
Their infant hands, yet weak and slender,
For warmth towards the April sun,
One after one.

Would you not be in Tryon
   Now that the spring is here,
When mocking-birds are praising
   The fresh, the blossomy year?

Look -- on the leafy carpet
   Woven of winter's browns
Iris and pink azaleas
   Flutter their gaudy gowns.

The dogwood spreads white meshes --
   So white and light and high --
To catch the drifting sunlight
   Out of the cobalt sky.

The pointed beech and maple,

April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;

April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;

April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;