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The Shooting of John Dillinger Outside the Biograph Theater, July 22, 1934

Chicago ran a fever of a hundred and one that groggy Sunday.
A reporter fried an egg on a sidewalk; the air looked shaky.
And a hundred thousand people were in the lake like shirts in
a laundry.
Why was Johnny lonely?
Not because two dozen solid citizens, heat-struck, had keeled
over backward.
Not because those lawful souls had fallen out of their sockets
and melted.
But because the sun went down like a lump in a furnace or a
bull in the Stockyards.
Where was Johnny headed?
Under the Biograph Theater sign that said, "Our Air is

The Shepherd's Dog

I.

A Shepherd's Dog there was; and he
Was faithful to his master's will,
For well he lov'd his company,
Along the plain or up the hill;
All Seasons were, to him, the same
Beneath the Sun's meridian flame;
Or, when the wintry wind blew shrill and keen,
Still the Old Shepherd's Dog, was with his Master seen.


II.

His form was shaggy clothed; yet he
Was of a bold and faithful breed;
And kept his master company
In smiling days, and days of need;
When the long Ev'ning slowly clos'd,

The Shearers Wife

Before the glare o’ dawn I rise
To milk the sleepy cows, an’ shake
The droving dust from tired eyes,
Look round the rabbit traps, then bake
The children’s bread.
There’s hay to stook, an’ beans to hoe,
An’ ferns to cut in the scrub below,
Women must work, when men must go
Shearing from shed to shed.

I patch an’ darn, now evening comes,
An’ tired I am with labour sore,
Tired o’ the bush, the cows, the gums,
Tired, but we must dree for long months more
What no tongue tells.
The moon is lonely in the sky,

The Shearers

No church-bell rings them from the Track,
No pulpit lights theirblindness--
'Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"

The Shag

"What is that great bird, sister, tell me,
Perched high on the top of the crag?"
"'T is the cormorant, dear little brother;
The fishermen call it the shag."

"But what does it there, sister, tell me,
Sitting lonely against the black sky?"
"It has settled to rest, little brother;
It hears the wild gale wailing high."

"But I am afraid of it, sister,
For over the sea and the land
It gazes, so black and so silent!"
"Little brother, hold fast to my hand."

"Oh, what was that, sister? The thunder?

The Scottish Engineer

With eyes that searched in the dark,
Peering along the line,
Stood the grim Scotsman, Hector Clark,
Driver of "Forty-nine".
And the veldt-fire flamed on the hills ahead,
Like a blood-red beacon sign.

There was word of a fight to the north,
And a column too hardly pressed,
So they started the Highlanders forth.
Heedless of food or rest.

But the pipers gaily played,
Chanting their fierce delight,
And the armoured carriages rocked and swayed.
Laden with men of the Scots Brigade,
Hurrying up to the fight,

The Sandpiper

Across the lonely beach we flit,
One little sandpiper and I,
And fast I gather, but by bit,
The scattered drift-wood, bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit,
One little sandpiper and I.

Above our heads the sullen clouds
Scud, black and swift, across the sky:
Like silent ghosts in misty shrouds
Stand out the white light-houses high.
Almost as far as eye can reach
I see the close-reefed vessels fly,

The Salt Flats

Here clove the keels of centuries ago
Where now unvisited the flats lie bare.
Here seethed the sweep of journeying waters, where
No more the tumbling floods of Fundy flow,
And only in the samphire pipes creep slow
The salty currents of the sap. The air
Hums desolately with wings that seaward fare,
Over the lonely reaches beating low.
The wastes of hard and meagre weeds are thronged
With murmurs of a past that time has wronged;
And ghosts of many an ancient memory

The Russian Fugitive

I

ENOUGH of rose-bud lips, and eyes
Like harebells bathed in dew,
Of cheek that with carnation vies,
And veins of violet hue;
Earth wants not beauty that may scorn
A likening to frail flowers;
Yea, to the stars, if they were born
For seasons and for hours.

Through Moscow's gates, with gold unbarred,
Stepped One at dead of night,
Whom such high beauty could not guard
From meditated blight;
By stealth she passed, and fled as fast
As doth the hunted fawn,