The Road to Gundagai

The mountain road goes up and down
From Gundagai to Tumut Town
And, branching off, there runs a track
Across the foothills grim and black,

Across the plains and ranges grey
To Sydney city far away.

It came by chance one day that I
From Tumut rode to Gundagai,

And reached about the evening tide
The crossing where the roads divide;

And, waiting at the crossing place,
I saw a maiden fair of face,

With eyes of deepest violet blue,
And cheeks to match the rose in hue --


The River Maiden

Her gown was simple woven wool,
But, in repayment,
Her body sweet made beautiful
The simplest raiment:
For all its fine, melodious curves
With life a-quiver
Were graceful as the bends and swerves
Of her own river.

Her round arms, from the shoulders down
To sweet hands slender,
The sun had kissed them amber-brown
With kisses tender.

For though she loved the secret shades
Where ferns grow stilly,
And wild vines droop their glossy braids,
And gleams the lily,


The Return of Morgan and Fingal

And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They had come for the night with me.

The spirit of joy was in Morgan’s wrist,
There were songs in Fingal’s throat;
And secure outside, for the spray to drench,
Was a tossed and empty boat.

And there were the pipes, and there was the punch,
And somewhere were twelve years;
So it came, in the manner of things unsought,
That a quick knock vexed our ears.


The Primrose of the Rock

A Rock there is whose homely front
The passing traveller slights;
Yet there the glow-worms hang their lamps,
Like stars, at various heights;
And one coy Primrose to that Rock
The vernal breeze invites.
What hideous warfare hath been waged,
What kingdoms overthrown,
Since first I spied that Primrose-tuft
And marked it for my own;
A lasting link in Nature's chain
From highest heaven let down!

The flowers, still faithful to the stems,
Their fellowship renew;


The Rajahs Sapphires

IN my garden, O Beloved!
Many pleasant trees are growing,
Peach, and apricot, and apple,
Myrtle, lilac, and laburnum.

Fair are they, but midst them lonely,
Like an exiled Eastern Princess
In a strange land far from kindred,
Stands a lonely fair Pomegranate.

Dreaming of its native Orient
Always is the fair Pomegranate,
And beneath it I lie dreaming
Of thine eyes and thee, Beloved!

Overhead its red globes, gleaming
Like red moons, old tales recall of
Eastern moons and songs of Hafiz—


The Potato Harvest

A high bare field, brown from the plough, and borne
Aslant from sunset; amber wastes of sky
Washing the ridge; a clamour of crows that fly
In from the wide flats where the spent tides mourn
To yon their rocking roosts in pines wind-torn;
A line of grey snake-fence, that zigzags by
A pond and cattle; from the homestead nigh
The long deep summonings of the supper horn.
Black on the ridge, against that lonely flush,
A cart, and stoop-necked oxen; ranged beside


The Poor Relation

No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.

Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid


The Poets

When this young Land has reached its wrinkled prime,
And we are gone and all our songs are done,
And naught is left unchanged beneath the sun,
What other singers shall the womb of Time
Bring forth to reap the sunny slopes of rhyme?
For surely till the thread of life be spun
The world shall not lack poets, though but one
Make lonely music like a vesper chime
Above the heedless turmoil of the street.
What new strange voices shall be given to these,
What richer accents of melodious breath?


The Poet Fears Failure

The poet fears failure
& so she says
"Hold on pen--
what if the critics
hate me?"
& with that question
she blots out more lines
than any critic could.

The critic is only doing his job:
keeping the poet lonely.
He barks
like a dog at the door
when the master comes home.

It's in his doggy nature.
If he didn't know the poet
for the boss,
he wouldn't bark so loud.

& the poet?
It's in her nature
to fear failure
but not to let that fear


The Plough, a Landscape in Berkshire

ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Ye rigid Ploughmen, bear in mind


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